Our prompt was: โWrite about what’s hidden or revealed in a shadow.โ
More details will be posted on this session, so check back again!
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
Our prompt was: โWrite about a color that has made you weep. โ
More details will be posted on this session, so check back again!
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
An Old Story by Tracy K. Smith
We were made to understand it would be
Terrible. Every small want, every niggling urge,
Every hate swollen to a kind of epic wind.
Livid, the land, and ravaged, like a rageful
Dream. The worst in us having taken over
And broken the rest utterly down.
A long age
Passed. When at last we knew how little
Would survive usโhow little we had mended
Or built that was not now lostโsomething
Large and old awoke. And then our singing
Brought on a different manner of weather.
Then animals long believed gone crept down
From trees. We took new stock of one another.
We wept to be reminded of such color.
Credit: poetryfoundation.org
Tracy K. Smith, "An Old Story" from Wade in the Water.
Copyright ยฉ 2018 by Tracy K. Smith.
Our prompt was:ย โWrite about whatโs left behind.โ
More details will be posted on this session, so check back again!
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
Our prompt was: “Write an introduction to a season or Write about knowing it will come back.“
More details will be posted on this session, so check back again!
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
First Fall byMaggie Smith
Iโm your guide here. In the evening-dark
morning streets, I point and name.
Look, the sycamores, their mottled,
paint-by-number bark. Look, the leaves
rusting and crisping at the edges.
I walk through Schiller Park with you
on my chest. Stars smolder well
into daylight. Look, the pond, the ducks,
the dogs paddling after their prized sticks.
Fall is when the only things you know
because Iโve named them
begin to end. Soon Iโll have another
season to offer you: frost soft
on the window and a porthole
sighed there, ice sleeving the bare
gray branches. The first time you see
something die, you wonโt know it might
come back. Iโm desperate for you
to love the world because I brought you here.
Credit: poetryfoundation.org
Maggie Smith, "First Fall" from Good Bones.
Copyright ยฉ 2017 by Maggie Smith.
Thank you to everyone who joined us for this session!
For this session we read an excerpt from “Whereas Statements” by Layli Long Soldier, posted below.
Our prompt was: โWhereasโฆโ
More details will be posted on this session, so check back again!
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
More details will be posted on this session, so check back again!
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
Thank you to everyone who joined us for this session!
For this session we look a close look at the short animation film titled โBitzbutzโ byGil Alkabetz, posted below.
Our prompt was: โWrite or draw a time you felt eaten up inside.โ
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
Atendieron 5 personas desde Nueva York,ย Argentina, y Espaรฑa. El texto que trabajamos fue la pinturaย โFernand Lรฉger – Danseuse au tambourin – Romeo,โย deย Lita Cabellut.
Una participante se fijรณ en que la imagen transmite una gran ambigรผedad en todos los aspectos; no se sabe si es una mujer o un hombre. Es un rasgo mรกs masculino con ropa femenina. Entre mรกs se mira el retrato, menos tiene uno claro lo que ve.
La pintura tiene dos mitades muy distintas. La cabeza es mรกs grande y transmite sentimiento. Los dos ojos miran hacia abajo, no se ve brillo. Alguien opino que es un hombre vestido como una mujer. Estรก en construcciรณn lo que รฉl va a hacer, lo que quiere hacer, pero su cuerpo no estรก definido todavรญa.
Esta pintura es parte de una serie que se llama โFemme de Neuve.โ Esto nos ayudรณ a entender la mirada de la personaโse ve vacรญa.
Una participante vio que alguien le esta agarrando los brazos por atrรกs y otra persona le pareciรณ que ella tiene un brazo mรกs femenino y el otro no se ve bien, es mรกs grande y masculino. Es como si ella estuviera en construcciรณn. Alguien dijo que para ella era un proceso de deconstrucciรณn. Otra persona le llamo la atenciรณn la mรกscara que ella lleva en su cara y los colores que le pintaron encima del retrato.ย
La propuesta de escritura fue โEscribe sobre un momento que mantuviste la calmaโ.ย Los participantes escribieron sobre mantener la calma durante diferentes momentos en el cual mantienen la calma; como uno hace el balance de las consecuencias de no mantener la calma. Aunque uno no pueda resolver nada es mejor no hacer nada porque alguien puede perder la vida.ย
Aquรญ, ahora alentamos a los participantes que si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.
Fernand Lรฉger – Danseuse au tambourin – Romeo por Lita Cabellut
Our prompt was: โIn a few words, name what is difficult to put into words.โ
More details will be posted on this session, so check back again!
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
In Blackwater Woods byMary Oliver
Look, the trees
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it go,
to let it go
ยฉ Back Bay Books, 1983.
Our prompt was: โWrite about cocky absolute certainty. โ
More details will be posted on this session, so check back again!
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!