Encuentros virtuales en vivo: Sรกbado 18 de julio, 13:00 EDT

El texto que escogimos para hoy fue VII Mayte Gรณmez Molina (1993-) (Deย Mi piel virtual, cansada,ย Editorial de la Universidad de Granada, 2021)opiada de Un estallido, Antologรญa de la poesรญa espaรฑola 2000-2025. Ed. Catedra

La propuesta de escritura fue Escribeย sobre las preguntas que no te haces.”

Aquรญ, ahora alentamos a los participantes que si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

ยกEsperamos verte pronto!


Todos nos creemos especiales

Hasta que vemos nuestro cuerpo hecho curva 

escalando una estadรญstica

Una hormiga alada no es una mariposa

Un pรกjaro

abre las alas en mi garganta pero no vuela

ยฟQuรฉ pensรณ Judas antes de sentarse a la mesa?

Me traiciono siete veces siete

Antes de las siete de la maรฑana

Todos los dispositivos tecnolรณgicos asociados a la 

servidumbre tienen voz de mujer

Y de entre todas las preguntas, 

Alexa nunca ha oรญdo 

la de si tiene madre, 

a de si quiere ser libre

Ni yo, tampoco

Copiada de Un estallido, Antologรญa de la poesรญa espaรฑola 2000-2025. Ed. Catedra


Live Virtual Group Session: 6PM EDT July 13th 2026

Thank you to everyone who joined us for this session!

For this session we read a poem [i love them still]” by Fatimah Asghar, posted below.

Our prompt was:ย โ€œStart your writing with ‘Scattered like a seed…‘โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Wednesday August 5th at 12pm EDT, with more times listed on ourย Live Virtual Group Sessions.

[i love them still] by Fatimah Asghar

Copyright ยฉ 2026 by Fatimah Asghar. Originally published in Poem-a-Day on June 30, 2026, by the Academy of American Poets.


ฮ–ฯ‰ฮฝฯ„ฮฑฮฝฮฎ ฯƒฯ…ฮฝฮตฮดฯฮฏฮฑ ฮฑฯ†ฮทฮณฮทฮผฮฑฯ„ฮนฮบฮฎฯ‚ ฮนฮฑฯ„ฯฮนฮบฮฎฯ‚: ฮšฯ…ฯฮนฮฑฮบฮฎ 12 ฮ™ฮฟฯฮปฮนฮฟฯ‚ ฯƒฯ„ฮนฯ‚ 8:00ย ฮผ.ฮผ. (ฯŽฯฮฑ ฮ•ฮปฮปฮฌฮดฮฑฯ‚)

ฮฃฮฑฯ‚ ฮตฯ…ฯ‡ฮฑฯฮนฯƒฯ„ฮฟฯฮผฮต ฯ€ฮฟฯ… ฯƒฯ…ฮผฮผฮตฯ„ฮตฮฏฯ‡ฮฑฯ„ฮต ฯƒฮต ฮฑฯ…ฯ„ฮฎ ฯ„ฮท ฯƒฯ…ฮฝฮตฮดฯฮฏฮฑ.

ฮœฮฟฯ…ฯƒฮนฮบฮฎ: We Let It Inย (ฮœฯ€ฯฮฌฮนฮฑฮฝ ฮŠฮฝฮฟ)

ฮ˜ฮญฮผฮฑ:ย ฮ“ฯฮฌฯˆฯ„ฮต ฮณฮนฮฑ ฯ„ฮฟ ฮฝฮฑ ฮฑฯ†ฮฎฮฝฮตฮนฯ‚ ฮบฮฌฯ„ฮน ฮฎ ฮบฮฌฯ€ฮฟฮนฮฟฮฝ ฮฝฮฑ ฯ€ฮตฯฮฌฯƒฮตฮน.

ฮฃฯฮฝฯ„ฮฟฮผฮฑ ฮธฮฑ ฮผฮฟฮนฯฮฑฯƒฯ„ฮฟฯฮผฮต ฯ€ฮตฯฮนฯƒฯƒฯŒฯ„ฮตฯฮตฯ‚ ฯ€ฮปฮทฯฮฟฯ†ฮฟฯฮฏฮตฯ‚ ฮบฮฑฮน ฯ…ฮปฮนฮบฯŒ ฮฑฯ€ฯŒ ฯ„ฮท ฯƒฯ…ฮฝฮตฮดฯฮฏฮฑ, ฮณฮนโ€™ ฮฑฯ…ฯ„ฯŒ ฯƒฮฑฯ‚ ฯ€ฯฮฟฯƒฮบฮฑฮปฮฟฯฮผฮต ฮฝฮฑ ฮตฯ€ฮนฯƒฮบฮตฯ†ฮธฮตฮฏฯ„ฮต ฮพฮฑฮฝฮฌ ฯ„ฮท ฯƒฮตฮปฮฏฮดฮฑ.

ฮฃฯ„ฮฟ ฮผฮตฯ„ฮฑฮพฯ, ฮบฮฑฮปฮฟฯฮผฮต ฯŒฮปฮตฯ‚ ฮบฮฑฮน ฯŒฮปฮฟฯ…ฯ‚ ฯŒฯƒฮฟฮน ฯƒฯ…ฮผฮผฮตฯ„ฮตฮฏฯ‡ฮฑฯ„ฮต ฮฝฮฑ ฮผฮฟฮนฯฮฑฯƒฯ„ฮตฮฏฯ„ฮต ฯŒฯƒฮฑ ฮณฯฮฌฯˆฮฑฯ„ฮต ฮบฮฑฯ„ฮฌ ฯ„ฮท ฮดฮนฮฌฯฮบฮตฮนฮฑ ฯ„ฮทฯ‚ ฯƒฯ…ฮฝฮตฮดฯฮฏฮฑฯ‚ ฯƒฯ„ฮทฮฝ ฮตฮฝฯŒฯ„ฮทฯ„ฮฑ ฯƒฯ‡ฮฟฮปฮฏฯ‰ฮฝ (โ€œLeave a replyโ€), ฯŽฯƒฯ„ฮต ฮฝฮฑ ฮบฯฮฑฯ„ฮฎฯƒฮฟฯ…ฮผฮต ฮถฯ‰ฮฝฯ„ฮฑฮฝฮฎ ฯ„ฮทฮฝ ฯ„ฯŒฯƒฮฟ ฮตฮฝฮดฮนฮฑฯ†ฮญฯฮฟฯ…ฯƒฮฑ ฯƒฯ…ฮถฮฎฯ„ฮทฯƒฮฎ ฮผฮฑฯ‚. ฮฃฮฑฯ‚ ฯ…ฯ€ฮตฮฝฮธฯ…ฮผฮฏฮถฮฟฯ…ฮผฮต, ฮฒฮตฮฒฮฑฮฏฯ‰ฯ‚, ฯŒฯ„ฮน ฯ€ฯฯŒฮบฮตฮนฯ„ฮฑฮน ฮณฮนฮฑ ฮผฮนฮฑ ฮดฮทฮผฯŒฯƒฮนฮฑ ฯ€ฮปฮฑฯ„ฯ†ฯŒฯฮผฮฑ, ฮผฮต ฮตฮปฮตฯฮธฮตฯฮท ฯ€ฯฯŒฯƒฮฒฮฑฯƒฮท ฯƒฯ„ฮฟ ฮบฮฟฮนฮฝฯŒ.

ฮ˜ฮฑ ฮธฮญฮปฮฑฮผฮต ฮฝฮฑ ฮผฮฌฮธฮฟฯ…ฮผฮต ฯ€ฮตฯฮนฯƒฯƒฯŒฯ„ฮตฯฮฑย ย ฮณฮนฮฑ ฯ„ฮทฮฝ ฮตฮผฯ€ฮตฮนฯฮฏฮฑ ฯƒฮฑฯ‚ ฮผฮต ฮฑฯ…ฯ„ฮญฯ‚ ฯ„ฮนฯ‚ ฯƒฯ…ฮฝฮตฮดฯฮฏฮตฯ‚. ฮ‘ฮฝ ฯ„ฮฟ ฮตฯ€ฮนฮธฯ…ฮผฮตฮฏฯ„ฮต, ฯ€ฮฑฯฮฑฮบฮฑฮปฮฟฯฮผฮต ฮฑฯ†ฮนฮตฯฯŽฯƒฯ„ฮต ฮปฮฏฮณฮฟ ฯ‡ฯฯŒฮฝฮฟ ฯƒฮต ฮผฮนฮฑ ฯƒฯฮฝฯ„ฮฟฮผฮท ฮญฯฮตฯ…ฮฝฮฑ ฮดฯฮฟ ฮตฯฯ‰ฯ„ฮฎฯƒฮตฯ‰ฮฝ!ฮ‘ฮบฮฟฮปฮฟฯ…ฮธฮฎฯƒฯ„ฮต ฯ„ฮฟฮฝ ฯƒฯฮฝฮดฮตฯƒฮผฮฟ:ย https://tinyurl.com/nmedg-survey

ฮฃฯฮฝฯ„ฮฟฮผฮฑ ฮธฮฑ ฮผฮฟฮนฯฮฑฯƒฯ„ฮฟฯฮผฮต ฯ€ฮตฯฮนฯƒฯƒฯŒฯ„ฮตฯฮตฯ‚ ฯ€ฮปฮทฯฮฟฯ†ฮฟฯฮฏฮตฯ‚ ฯƒฯ‡ฮตฯ„ฮนฮบฮฌ ฮผฮต ฯ„ฮท ฯƒฯ…ฮฝฮตฮดฯฮฏฮฑ, ฮฟฯ€ฯŒฯ„ฮต ฮผฮตฮฏฮฝฮตฯ„ฮต ฯƒฯ…ฮฝฯ„ฮฟฮฝฮนฯƒฮผฮญฮฝฮฟฮน.
ฮšฮฑฮปฮฟฯฮผฮต ฯŒฯƒฮตฯ‚ ฮบฮฑฮน ฯŒฯƒฮฟฯ…ฯ‚ ฯƒฯ…ฮผฮผฮตฯ„ฮตฮฏฯ‡ฮฑฯ„ฮต ฮฝฮฑ ฮฑฮฝฮฑฯฯ„ฮฎฯƒฮตฯ„ฮต ฯ„ฮฑ ฮบฮตฮฏฮผฮตฮฝฮฌ ฯƒฮฑฯ‚ ฯ€ฮฑฯฮฑฮบฮฌฯ„ฯ‰ (โ€œLeave a replyโ€) ฮบฮฑฮน ฮฝฮฑ ฮบฯฮฑฯ„ฮฎฯƒฮฟฯ…ฮผฮต ฮถฯ‰ฮฝฯ„ฮฑฮฝฮฎ ฮฑฯ…ฯ„ฮฎ ฯ„ฮทฮฝ ฯ„ฯŒฯƒฮฟ ฮตฮฝฮดฮนฮฑฯ†ฮญฯฮฟฯ…ฯƒฮฑ ฯƒฯ…ฮถฮฎฯ„ฮทฯƒฮท. ฮฃฮฑฯ‚ ฯ…ฯ€ฮตฮฝฮธฯ…ฮผฮฏฮถฮฟฯ…ฮผฮต ฯŒฯ„ฮน ฯ€ฯฯŒฮบฮตฮนฯ„ฮฑฮน ฮณฮนฮฑ ฮดฮทฮผฯŒฯƒฮนฮฑ ฯ€ฮปฮฑฯ„ฯ†ฯŒฯฮผฮฑ ฮผฮต ฮฑฮฝฮฟฮนฯ‡ฯ„ฮฎ ฯ€ฯฯŒฯƒฮฒฮฑฯƒฮท.
ฮ˜ฮฑ ฮธฮญฮปฮฑฮผฮต ฮฝฮฑ ฮผฮฌฮธฮฟฯ…ฮผฮต ฯ€ฮตฯฮนฯƒฯƒฯŒฯ„ฮตฯฮฑ ฮณฮนฮฑ ฯ„ฮทฮฝ ฮตฮผฯ€ฮตฮนฯฮฏฮฑ ฯƒฮฑฯ‚ ฮผฮต ฮฑฯ…ฯ„ฮญฯ‚ ฯ„ฮนฯ‚ ฯƒฯ…ฮฝฮตฮดฯฮฏฮตฯ‚. ฮ‘ฮฝ ฯ„ฮฟ ฮตฯ€ฮนฮธฯ…ฮผฮตฮฏฯ„ฮต, ฯ€ฮฑฯฮฑฮบฮฑฮปฮฟฯฮผฮต ฮฑฯ†ฮนฮตฯฯŽฯƒฯ„ฮต ฮปฮฏฮณฮฟ ฯ‡ฯฯŒฮฝฮฟ ฯƒฮต ฮผฮนฮฑ ฯƒฯฮฝฯ„ฮฟฮผฮท ฮญฯฮตฯ…ฮฝฮฑ ฮดฯฮฟ ฮตฯฯ‰ฯ„ฮฎฯƒฮตฯ‰ฮฝ: https://tinyurl.com/nmedg-survey



Live Virtual Group Session: 12PM EDT July 1st 2026

Thank you to everyone who joined us for this session!

For this session we read a poem Disclosure” by Camisha L. Jones, posted below.

Our prompt was:โ€œWrite about sounds that beckon.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday July 13th at 6pm EDT, with more times listed on our Live Virtual Group Sessions.

Disclosure by Camisha L. Jones

Iโ€™m sorry, could you repeat that. Iโ€™m hard of hearing.

To the cashier 

To the receptionist 

To the insistent man asking directions on the street 

Iโ€™m sorry, Iโ€™m hard of hearing. Could you repeat that?

At the business meeting 

In the writing workshop 

On the phone to make a doctorโ€™s appointment 

Iโ€™m-sorry-Iโ€™m-sorry-Iโ€™m-so-sorry-Iโ€™m-hard-for-the-hearing

Repeat. 

           Repeat. 

Hello, my name is Sorry

To full rooms of strangers 

Iโ€™m hard to hear 

I vomit apologies everywhere 

They fly on bat wings 

towards whatever sound beckons 

Iโ€™m sorry. Iโ€™m sorry. I am so, so sorry

           and repeating

                       and not hearing

Dear (again) 

I regret to inform you 

I       am

here

Copyright ยฉ 2020 by Camisha L. Jones. Originally published in Poem-a-Day on January 3, 2020, by the Academy of American Poets.


Live Virtual Group Session: 6PM EDT July 15th 2026

Thank you to everyone who joined us for this session!

For this session we read an excerpt (p 9-10) from Island at the Center of the World by Russell Shorto, posted below.

Our prompt was:ย โ€œwhat happens when time slows down.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Wednesday July 1st at 12pm EDT, with more times listed on our Live Virtual Group Sessions.

Island at the Center of the World” by Russell Shorto (p 9-10)

All that said, what originally captivated me about the Dutch documents โ€” that they offered a way to reimagine New York City as a wildernessโ€”stayed alive throughout my research. More than anything, then, this book invites you to do the impossible: to strip from your mental image of Manhattan Island all associations of power, concrete, and glass; to put time into full reverse, unfill the massive landfills, and undo the extensive leveling programs that flattened the hills and filled the gullies. To witness the return of waterfalls, to watch freshwater ponds form in place of asphalt intersections; to let buildings vanish and watch stands of pin oak, sweetgum, basswood, and hawthorne take their place. To imagine the return of salt marshes, mudflats, grasslands, of leopard frogs, grebes, cormorants, and bitterns; to discover newly pure estuaries encrusting themselves with scallops, lamp mussels, oysters, quahogs, and clams. To see maple-ringed meadows become numbered with deer and the higher elevations ruled by wolves. 

And then to stop the time machine, let it hover a moment on the south-most tip of an island poised between the Atlantic Ocean and the civilization of Europe on one side and a virgin continent on the other; to let that moment swell, hearing the screech of gulls and the slap of waves and imagining these same sounds, waves and birds, waves and birds, with regular interruptions by wracking storms, unchanged for dozens of centuries.

And then let time start forward once again as something comes into view on the horizon. Sails.

Credit: Russell Shorto


Encuentros virtuales en vivo: Sรกbado 6 de junio, 13:00 EDT

Resumen 6 de junio de 2026

Nos reunimos 4 personas desde Nueva York, Argentina, y Espaรฑa. 

Trabajamos la pinturaย Dans un cafรฉ por de Edgar Degas (entre 1875 y 1876).

En la primera intervenciรณn se habla de la posibilidad de una escena posfiesta. Impresiona una tragedia. Para otro participante, impresiona ver a dos personas que se acercan por necesidad. Ella estรก a medias, mitad dentro y mitad fuera. La mujer tiene la cara apagada, sin brillo. El hombre es indiferente. Se ve como final y no como inicio. Empezamos con las impresiones que nos inspira el cuadro. Los personajes del cuadro estรกn descentrados. Creamos una historia desde la imagen que nos transmite el cuadro. Especulamos sobre la escena. Miran a lugares diferentes. Incluso se realizรณ un anรกlisis de gรฉnero. Hablamos de las caracterรญsticas y los detalles de la pintura. A medida que compartimos el debate, surgen nuevas perspectivas y miradas.

Hablamos de cรณmo las diferencias entre los diversos tรญtulos de la obra (las palabras) nos invitan a pensar en historias distintas.

El debate se alargรณ con la reflexiรณn sobre la utilidad del uso de imรกgenes en la formaciรณn mรฉdica

Escribimos con la propuesta: Escribe sobre un momento de soledad

Se escribiรณ en formato de ensayo sobre la soledad, la soledad como vacรญo, la soledad como requisito para reflexionar sobre la propia soledad. Surgieron poemas sobre la soledad como condiciรณn para dialogar consigo mismo. Gran parte de la escritura fue abstracta, no centrada en un momento รบnico. Pero tambiรฉn tuvimos un relato sobre un momento de soledad intensa.

A continuaciรณn, alentamos a los participantes a que, si asรญ lo desean, compartan lo que escribieron. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre la pintura Dans un cafรฉ, de Edgar Degas. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad. Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: el sรกbado 18 de julio a las 13 hrs. o a la 1 pm EST. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve a nuestra pรกgina de sesiones grupales virtuales en vivo. ยกEsperamos verte pronto!


Dans un cafรฉ por de Edgar Degas (entre 1875 y 1876)

Credit: Edgar Degasย 


Live Virtual Group Session: 12PM EDT June 5th 2026

Thank you to everyone who joined us for this session!

For this session we read a poem Final Poem for My Father Misnamed in My Mouth” by Phillip B. Williams, posted below.

Our prompt was:ย โ€œWrite about Fatherlight.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday June 15th at 6pm EDT, with more times listed on ourย Live Virtual Group Sessions.

Final Poem for My Father Misnamed in My Mouth by Phillip B. Williams

Sunlight still holds you and gives

your shapelessness to every room.

By noon, the kitchen catches your hands,

misshapen sunrays. The windows

have your eyes. Taken from me,

your body. I reorder my life with

absence. You are everywhere now

where once I could not find you

even in your own body. Death means

everything has become

possible. Iโ€™ve been told I have

your ways, your laughter haunts my mother

from my throat. Everything

is possible. Fatherlight

washes over the kitchen floor.

I try to hold a bit of kindness

for the dead and make of memory

a sponge to wash your corpse.

Your name is not addict or sir.

This is not a dream: you died

and were buried three times. Once,

after my birth. Again, against

your hellos shedding into closing doors,

your face a mask I placed over my face.

The final time, you beneath my feet. Was I

buried with you then? I will not call

what you had left anything

other than gone and sweet perhaps. I am

not your junior, but I fell in love

with being your son. Now what? Possibility

was a bird I once knew. It had one wing.

Credit: Phillip B. Williams


Live Virtual Group Session: 6PM EDT May 27th 2026

Thank you to everyone who joined us for this session!

For this session we took a close look at the painting Give me strength” by Louise Bird, posted below.

Our prompt was:Describe your texture.”

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday June 5th at 12pm EDT, with more times listed on our Live Virtual Group Sessions.

Give me strength by Louise Bird

Credit: Louise Bird


Live Virtual Group Session: 12PM EDT May 15th 2026

Thank you to everyone who joined us for this session!

For this session we took a close look at “The Astronomerโ€ by Jan Vermeer 1668” and “Christina Koch Astronaut 2026,” posted below.

Our prompt was:ย โ€œWrite about contemplating a world anew.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Wednesday May 27th at 6pm EDT, with more times listed on ourย Live Virtual Group Sessions.

The Astronomerโ€ by Jan Vermeer 1668

Credit: Jan Vermeer


Christina Koch Astronaut 2026

Credit: NASA Image andย Video Library


Encuentros virtuales en vivo: Sรกbado 2 de mayo, 13:00 EDT

Resumen 2 de mayo de 2026 

Nos reunimos 5 personas, desde Espaรฑa, Argentina, la Repรบblica Dominicana, y USA. 

Trabajamos el poema โ€œHombre pequeรฑitoโ€ de Alfonsina Storni

Este poema le recordรณ a un participante un dicho: “Si tรบ te crees realmente libre, es porque no conoces el tamaรฑo de tu cรกrcel”. El canario le llama al hombre un “hombre pequeรฑito” como metรกfora. El hombre puede ser grande. El tamaรฑo del hombre no importa. El canario habla del pasado, pero en la รบltima estrofa le pide que le abra la jaula. 

Otra participante lo vio como si la jaula fuera todo lo que uno carga consigo mismo, nuestras inseguridades. El canario es uno mismo. “Te amรฉ media hora, no me pidas mรกs”. Ella ya le dio al hombre pequeรฑito lo que le podรญa dar. 

Se hablรณ de la fragilidad del canario. Tienen un canto lindo. La abuela de Mariola decรญa que hay que cogerlos ni muy duros ni muy abiertos para tenerlos en tus manos. Otra persona comentรณ que este poema le recuerda al poema โ€œPajaro enjauladoโ€ de Maya Angelou. 

Escribimos con la propuesta: Escribe sobre un momento en el que te hayas sentido atrapada. Escribimos en la sombra del texto. Compartimos momentos de nuestra juventud. Se notรณ quรฉ jaulas ven los demรกs y cuรกles no. Se compartieron cuentos ambiguos. Y de jaulas causadas en el hogar y el trabajo. El material de la reuniรณn abriรณ mรบltiples perspectivas del poema, ayudรกndonos a mantener una perspectiva humilde y abierta a las historias de los otros. 

A continuaciรณn, alentamos a los participantes a que, si asรญ lo desean, compartan lo que escribieron. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre el texto de Alfonsina Storni. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad. Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: elย sรกbado 6 de junioย a las 13 hrs. o a la 1 pm EDT. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve a nuestra pรกgina de sesiones grupales virtuales en vivo.ย ยกEsperamos verte pronto!


VII

Todos nos creemos especiales

Hasta que vemos nuestro cuerpo hecho curva 

escalando una estadรญstica

Una hormiga alada no es una mariposa

Un pรกjaro

abre las alas en mi garganta pero no vuela

ยฟQuรฉ pensรณ Judas antes de sentarse a la mesa?

Me traiciono siete veces siete

Antes de las siete de la maรฑana

Todos los dispositivos tecnolรณgicos asociados a la 

servidumbre tienen voz de mujer

Y de entre todas las preguntas, 

Alexa nunca ha oรญdo 

la de si tiene madre, l

a de si quiere ser libre

Ni yo, tampoco

Copiada de Un estallido, Antologรญa de la poesรญa espaรฑola 2000-2025. Ed. Catedra