Narrative Medicine Book Club: Passing, Following up on Week 4

Derek: This description of Clare makes me appreciate even more her power of presence and sense of agency. Even though passing for white was her survival tactic, it hinges on her social capital as well. The paradox of her being among them yet “someone apart” captures her duality perfectly.ย ย 


Carmen: This passage captured me as well. It, like many other passagesย in this work, alludes to a passing of a different nature, outside of color, and points to a “passing” of her performative personality, one who appears engaged but is not. I wonder if she can articulate who she really is or accept and engage with her multiple identities – of her skin and her mind.

For this final week (Week 5), May 10th-15th, weโ€™re finishing the book with the Finale!

We look forward to seeing you all on Zoom thisย Saturday at 11:00 a.m. EDT.ย We will be having our final live discussion of the book, including our thoughts on the final pages and the book as a whole!ย 

If you donโ€™t already have your copy, books can be purchased from theย publisher, direct from your local indie bookstore, or throughย indiebound.orgย orย bookshop.org. If you want to join in the book club discussion, you can respond hereย or on social media usingย #NMBookClub.


Live Virtual Group Session: 12pm EDT May 12th 2021

Thank you to everyone who joined for this session!

For this session we gathered to observe the visual art pieceย โ€œSwiss Made (Edition 2)โ€ byย Vaclac Pozarek, posted below.

Our prompt for this session was: โ€œWrite about seeking balance.โ€

Vaclac Pozarek is a Czech-born artist who has been living and working in Switzerland since the late 1960s. The richness and diversity of his body of work is evident in the various media he chooses to work with: primarily drawing and sculpture, but also collaging, photography, scenography and exhibition design, and book design. In his visual artwork and installations, Pozarek tries to find points of contact between art and everyday objects; ceaselessly querying the ways in which art is presented to us. His graphic work underlines his fascination with typography and architecture, calling to mind building plans and architectural faรงade embellishments. His research combines the principles of Constructivism, concrete art, and Minimalism; creating a unique synthesis of these distinctive movements.

More details on this session will be posted, so check back!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next sessionย Monday May 17th at 6pm EDT,ย with more times listed on ourย Live Virtual Group Sessionsย page.


Swiss Made (Edition 2), 2019

Wood, transparent colour; piece in two parts
37.8 x 27.56 x 27.56 in ( 96 x 70 x 70 cm )
Unique
Swiss Made (Edition 2), 2019

Wood, transparent colour; piece in two parts
37.8 x 27.56 x 27.56 in ( 96 x 70 x 70 cm )
Unique
Vaclac Pozarek is a Czech-born artist who has been living and working in Switzerland since the late 1960s. The richness and diversity of his body of work is evident in the various media he chooses to work with: primarily drawing and sculpture, but also collaging, photography, scenography and exhibition design, and book design. In his visual artwork and installations, Pozarek tries to find points of contact between art and everyday objects; ceaselessly querying the ways in which art is presented to us. His graphic work underlines his fascination with typography and architecture, calling to mind building plans and architectural faรงade embellishments. His research combines the principles of Constructivism, concrete art, and Minimalism; creating a unique synthesis of these distinctive movements.

https://www.mamco.ch/en/1504/Vaclav-Pozarek

Live Virtual Group Session: 6pm EDT May 10th 2021

Thank you to everyone who joined for this session!

Our text for this session was the poemย โ€œBreakageโ€ byย Mary Oliver, posted below.

Our prompt for this session was: “Write about the tattered or the whole.”

More details on this session will be posted, so check back!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next sessionย Wednesday May 12th at 12pm EDT,ย with more times listed on ourย Live Virtual Group Sessionsย page.


โ€œBreakageโ€ byย Mary Oliver,

I go down to the edge of the sea.
How everything shines in the morning light!
The cusp of the whelk,
the broken cupboard of the clam,
the opened, blue mussels,
moon snails, pale pink and barnacle scarredโ€”
and nothing at all whole or shut, but tattered, split,
dropped by the gulls onto the gray rocks and all the moisture gone.
It's like a schoolhouse
of little words,
thousands of words.
First you figure out what each one means by itself,
the jingle, the periwinkle, the scallop
       full of moonlight.

Then you begin, slowly, to read the whole story.


Source: Poetry (Poetry Foundation, 2003)

Laboratori Di Medicina Narrativa: sabato 8 Maggio dalle 16 alle 17.30

Siamo stati molto lieti di avervi qui con noi!

Abbiamo analizzato insieme il quadro Paris par la fenรชtre di Marc Chagall (1913), seguito dalla poesia Non basta aprire la finestra di Fernando Pessoa (entrambi allegati al termine di questa pagina).ย 

In seguito, abbiamo usato il prompt โ€œDalla mia finestra. . .โ€.

Condivideremo ulteriori dettagli della sessione nei prossimi giorni; vi invitiamo a rivisitare questa pagina in modo da continuare la nostra conversazione qui!

Invitiamo i partecipanti del laboratorio a condividere i propri scritti nella parte โ€œblogโ€ dedicata alla fine della presente pagina (โ€œLeave a Replyโ€). Speriamo di creare, attraverso questo forum di condivisione, uno spazio in cui continuare la nostra conversazione! Stiamo raccogliendo impressioni e breve feedback sui nostri laboratori di medicina narrativa su Zoom!

Questo breve questionario (anonimo, e aperto a chiunque abbia frequentato almeno un laboratorio) รจ molto importante per noi, e ci permetterร  di elaborare sul valore dei nostri laboratori e sul ruolo dello spazio per riflettere e metabolizzare il momento presente. Vi preghiamo quindi di condividere le nostre riflessioni con noi!


Paris par la fenรชtre di Marc Chagall (1913)
Non basta aprire la finestra di Fernando Pessoa

Non basta aprire la finestra
per vedere la campagna e il fiume.
Non basta non essere ciechi
per vedere gli alberi e i fiori.
Bisogna anche non aver nessuna filosofia.
Con la filosofia non vi sono alberi:
vi sono solo idee.
Vi รจ soltanto ognuno di noi,
simile ad una spelonca.
Cโ€™รจ solo una finestra chiusa
e tutto il mondo fuori;
e un sogno di ciรฒ che potrebbe esser visto
se la finestra si aprisse,
che mai รจ quello che si vede
quando la finestra si apre.

Live Virtual Group Session: 12pm EDT May 7th 2021

Thank you to everyone who joined for this session!

Our text for this session was the poemย โ€œIn Search of an Umbrella in NYCโ€ byย Juan Felipe Herrera, posted below.

Our prompt for this session was to begin your writing with the phrase โ€œIn search of…โ€

More details on this session will be posted, so check back!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next sessionย Monday May 10th at 6pm EDT,ย with more times listed on ourย Live Virtual Group Sessionsย page.


In Search of an Umbrella in NYCโ€ byย Juan Felipe Herrera

You were having a stroke - i
did not grasp what was going on you
standing almost half ways up half
ways down the colors what were they
i was frozen both us us staring
woman with parasol behind me
are you drunk she said facing
you and the deli behind you      you
leaned shivered dropped your coat
parasol
white
reddish flowers
brain    sweat eyes your eyes moving
seeing me behind me what
black man brown man no man   no
colors you
pushed something away  i was
in a rush  en route to big time
poetry Biz  duded up ironed shirt
the rain was in my way i was not
breathing    you were losing   yourself i
was gaining something   you
stumbled out of your coat  unrolled
a strangerโ€™s language from your lips
pushed your      feet down to
the depths  of the tiny sidewalk even
though it was infinite  burning
ahead of me  to
the food truck at the corner yellow chips
corn violet green sugar drops
fiery torn packs flaring down   and
across the street under the cement i
was moving silent alone a crooked line
going nowhere a woman
touched your hand you were lying
on the dirty shoe ground swimming
up to her i      wanted you
            i was a man
running for cover from the waters
i could not                    lift your suffering
it was too late              the current pulled
i was floating away  (i noticed it)
              you
were rising


Live Virtual Group Session: 6pm EDT May 3rd 2021

Eighteen people from Canada, CA, Lithuania, ME, NJ, NY, PAย  (and via the poem: Nebraska) joined on Zoom to close read the poemย โ€œShaking the Grassโ€ byย Janice N. Harrington, posted below. Participants were quick to notice the alliteration, metaphors, repetition, and visual imagery as well as the duality, the tension and tones of rest and regret, loss and regeneration, a humble voice questioning oneโ€™s own vanity. Was the narrator looking back and considering whether they had left some mark on the world?

Intertextual references included: Ecclesiastes, Ezra Poundโ€™s โ€œAnd the Days Are Not Full Enoughโ€ and two paintings: Andrew Wyethโ€™s Christinaโ€™s World and Charles Allan Gilbert All is Vanity. There was curiosity in the poem and in us. We wondered: who is โ€œmy Belovedโ€ and what or who is disappearing along with โ€œthe hollow my body made.โ€ We were reminded of the impermanence of memory and, in the heartland of America, the disappearance ofย  the prairies and grasslands.ย ย ย 

After our discussion, participants had the option to respond to one of two prompts, either โ€œWrite about something that came back to you.โ€ OR “Write about lying in the grass.”

One response had us laying in blades of grass with โ€œwarm wind,โ€ vibrant colors of โ€œgreenโ€ and โ€œazureโ€ sky, with birds โ€œzigging and dartingโ€ overhead, the narrator conveying a longing for time to stand still in that moment. Another piece gave voice to Odysseus, remembering and then returning home after war, his journey stretched into a decade of wandering on top of the metaphor of โ€œlosing my keys.โ€ One piece, like the poem, located us geographically in memory near Grenoble, France, lying in a field cradled between two mountains where the writer was reminded that โ€œbeauty is beyond words.โ€ Another writer started their piece with the โ€œsweet, sweet, sweetโ€ of birdsong, as the narrator, while walking, comes upon a โ€œnascent fawn,โ€ itself lying in the grass โ€œthat shook ever so slightly,โ€ in echo of the poem while offering an unexpected perspective on โ€œlying in the grass.โ€ In looking at these responses the group noted how they all embodied themes and elements of the poem, including time, geography, impermanence, with wonderfully vivid detail, and still took us in many different and surprising, yet contemplative, directions.ย 

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday May 7th at 12pm EDT, with more times listed on our Live Virtual Group Sessions page.


Shaking the Grass
 by Janice N. Harrington


Evening, and all my ghosts come back to me
like red banty hens to catalpa limbs
and chicken-wired hutches, clucking, clucking,
and falling, at last, into their head-under-wing sleep.

I think about the field of grass I lay in once,
between Omaha and Lincoln.  It was summer, I think.
The air smelled green, and wands of windy green, a-sway,
a-sway, swayed over me.  I lay on green sod
like a prairie snake letting the sun warm me.

What does a girl think about alone
in a field of grass, beneath a sky as bright
as an Easter dress, beneath a green wind?

Maybe I have not shaken the grass.
All is vanity.

Maybe I never rose from that green field.
All is vanity.

Maybe I did no more than swallow deep, deep breaths
and spill them out into story:  all is vanity.

Maybe I listened to the wind sighing and shivered,
spinning, awhirl amidst the bluestem
and green lashes:  O my beloved!  O my beloved!

I lay in a field of grass once, and then went on.
Even the hollow my body made is gone.



From Even the Hollow My Body Made Is Gone by Janice N Harrington. 
Copyright ยฉ 2007 by Janice N. Harrington.

Narrative Medicine Book Club: Passing, Week 3

Derek: A quandry, a dilemma, a Catch-22 โ€” Irene seems to be caught in a swirl where standing up for her race could lead to the downfall of Clare and their mysterious bond.


Carmen: And yet she does protect Clare – She demonstrates a fierce loyalty to a principle to protect or ‘side’ with one’s race and it forces her to choose a person (of her own race), of whom she clearly disapproves and struggles with her resentment over it. Clare cares nothing for the race, “she only belongs to it.” That’s got to hurt…or at least make her angry.

For Week 4 next week, May 2nd-9th, we’re reading Part 2 Chapters 3 and 4!

If you donโ€™t already have your copy, books can be purchased from theย publisher, direct from your local indie bookstore, or throughย indiebound.orgย orย bookshop.org. If you want to join in the book club discussion, you can respond hereย or on social media usingย #NMBookClub.


Live Virtual Group Session: 12pm EDT April 30th 2021

Participants from NJ, NY, TX, KY, PA, ME, MI, and Turkey joined our session to discuss the poemย โ€œChilly in our Gownsโ€ byย Maryfrances Wagner, posted below.

Discussion of the text immediately went to the contrast between the first lines and the latter portion of the poem, which evoked not just an intimacy that is then mourned, but also seems to evoke a nostalgia for the past, for time, with the comparing of tomato yields and even the retro-Americana quality to the meal of a burger and a malt.

Time was also noted as weighted in the phrase โ€œno longer,โ€ which not only articulated change and temporality, but a possible shift in identity from doctor and ferryman to โ€œsinkingโ€ as something else under the overwhelm of scheduling. Of course mortality was noted as present in the allusion of the ferryman as well, and one participant noticed the coldness of the language, beyond just the chill from the gowns, where the narrator โ€œscuttlesโ€ from the room in an alien fashion, and the โ€œlaying on of handsโ€ is replaced by others โ€œdoing his touching.โ€ Mirroring the physical distance, the doctor is also distracted, mysteriously, by a quick โ€œbrownโ€ study that pulls his attention to the window in this new environment.

And yet, another participant noted that the tone of the narrator seems to be sympathetic to the doctor, attempting to see from his viewpoint of โ€œsinkingโ€ and being โ€œbehind,โ€ even if it does leave the narrator to navigate the โ€œmurky waters of fearโ€ more alone. Many participants noted that this points to the systemic issues in medicine, not just with overburdened doctors, but with teams of care fractured from each other and the patient for the sake of efficiency and profit: the โ€œnurse takes my blood pressureโ€ and โ€œthe technicians do his touchingโ€ and the โ€œreceptionist assures me the nurse will call.โ€ These observations illuminated not just what was powerful in the poem, but what is powerful about using poetry, literature, or art as a lens to inspect the complexity of healthcare experiences.

In the shadow of todayโ€™s text, we invited everyone to respond to the prompt: “Write about a laying on of hands.” They brought us to a familiar, uneasy place: โ€œI sit in fear, fear of the unknowns…How am I going to continue through this tunnel of uncertainty?โ€ย 

One writer/readerโ€™s use of alliterative repetition (โ€œpoke, press, prodโ€) caught our attention as relatable patients who โ€œfeel dullโ€ and may be โ€œleft alone to clean up the mess.โ€ We noticed how a lack of eye contact left the author unable to read the doctorโ€™s thoughts. Certainly there was looking happening, but was there seeing? Knowing? 

This theme of being-without-connecting carried through to the third writer who explored the dichotomy between that which is comforting yet pushing boundaries. We appreciated how each writerโ€™s exploration of the tension between agency and attention redefined for us what โ€œtouchโ€ means as the laying on of hands could be both active and passive.

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday May 3rd at 6pm EDT, with more times listed on our Live Virtual Group Sessions page.


Chilly in our Gowns

My doctor used to clip articles from our town paper.
My fencing victory and engagement photo grinned
when he opened my chart. We compared tomato
yields, recommended books. He listened
to  my lungs, my heart, examined my throat,
but always the laying on of hands, the patted
shoulder before a shot, the outstretched
arm rescuing me from the hypoglycemic faint
to offer a hamburger and a malt. I could name
states heโ€™d toured with his daughters, night classes
he took on the Middle East. Now,
his nurse takes my blood pressure and asks
if I think  it will rain. She writes symptoms
on my chart. My doctor no longer sits,
one arm resting on his knee, to ask
if Iโ€™m still taking calcium, drinking water.
He looks out the window, a  quick brown study
he doesnโ€™t share. He is behind, his waiting room
sinking under sore throats, a broken toe,
a stitchable biking accident. He writes
prescriptions, orders tests, has technicians
do his touching. He rushes off to others,
waiting chilly in their gowns. I scuttle out one door 
as he closes another, his muffled voice
an instant replay. The receptionist assures me
the nurse will call, my doctor  no longer
my ferryman across fearโ€™s murky water.


Maryfrances Wagner
From Red Silk
The Mid-America Press 1999
https://www.pw.org/directory/writers/maryfrances_wagner

Live Virtual Group Session: 12pm EDT April 28th 2021

Thank you to everyone who joined for this session!

Our text for this session was the poem If I Should Come Upon Your House Lonely in the West Texas Desert” by Natalie Diaz, posted below.

Our prompt for this session was to begin your writing with the phrase โ€œyou will remind meโ€ฆโ€

More details on this session will be posted, so check back!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next sessionย Friday April 30th at 12pm EDT,ย with more times listed on ourย Live Virtual Group Sessionsย page.


If I Should Come Upon Your House Lonely in the West Texas Desert
By Natalie Diaz

I will swing my lasso of headlights
across your front porch,

let it drop like a rope of knotted light
at your feet.

While I put the car in park,
you will tie and tighten the loop

of light around your waist โ€”
and I will be there with the other end

wrapped three times
around my hips horned with loneliness.

Reel me in across the glow-throbbing sea
of greenthread, bluestem prickly poppy,

the white inflorescence of yucca bells,
up the dust-lit stairs into your arms.

If you say to me, This is not your new house
but I am your new home,

I will enter the door of your throat,
hang my last lariat in the hallway,

build my altar of best books on your bedside table,
turn the lamp on and off, on and off, on and off.

I will lie down in you.
Eat my meals at the red table of your heart.

Each steaming bowl will be, Just right.
I will eat it all up,

break all your chairs to pieces.
If I try running off into the deep-purpling scrub brush,

you will remind me,
There is nowhere to go if you are already here,

and pat your hand on your lap lighted
by the topazion lux of the moon through the window,

say, Here, Love, sit here โ€” when I do,
I will say, And here I still am.

Until then, Where are you? What is your address?
I am hurting. I am riding the night

on a full tank of gas and my headlights
are reaching out for something.

Narrative Medicine Book Club: Passing, Following up on Week 2

Carmen: I was moved/disturbed by the pathologizing of blackness in Chapter 3 as Clare, Irene, and Gertrude talked about pregnancy – โ€œItโ€™s awful the way it skips a generation and then pops outโ€ฆnobody wants a black child.” A little later on in the chapter โ€œClare began to talk, steering carefully away from anything that might lead toward race or other thorny subjects. It was the most brilliant exhibition of conversational weightlifting that Irene had ever seen.” Chapter 4 offers additional weight that has the potential to crush them all. I considered the weight of internalized racism, the self-loathing, secrets, and the emotional weight for all these women reconciling race, and navigating the โ€œnormsโ€ they have created for themselves. The weight of these exchanges felt very contemporary.


Derek: “Conversational weightlifting” — so vividly accurate! When John Bellew joins the women (like a wrecking ball), I tracked with Irene who “thought, unbelievable and astonishing that four people could sit so unruffled, so ostensibly friendly, while they were in reality seething with anger, mortification, shame. But no, on second thought, she was forced to amend her opinion. John Bellew, most certainly, was as undisturbed within as without. So, perhaps, was Gertrude Martin.” This revisited recognition created for me an image of Irene inextricably linking the racist message to its messenger.

For this week (Week 3), April 25th-May 1st, we’re reading Part 2 Chapters 1 and 2!

If you donโ€™t already have your copy, books can be purchased from the publisher, direct from your local indie bookstore, or through indiebound.org or bookshop.org. If you want to join in the book club discussion, you can respond here or on social media using #NMBookClub.