Thirty people Zoom-gathered this evening from Argentina, Brazil, Canada, England, India and several states in the USA.
Today, we โclose lookedโ at a new kind of text: a mural found in the city of Philadelphia titled “Everything the Light Touches,” designed by Brad Carney with The U School students, and painted with Asociacion Puertorriquenos en Marcha and the 8th and Diamond Rec Center for Mural Arts Philadelphia. After one minute of silent close looking, we shared our impressions and observations. Our first respondent brought attention to the movement in the piece by sharing some of the words that came to her in observing the painting; participants brimmed with observations of what they saw as actions of โreaching, grasping, expandingโ in the postures of figures in the mural who they saw โskating, dancing, writingโ as they looked for freedom and connection. Some saw women represented and thought of โsisterhoodโ and added the idea of โfemale energyโ even attempts to โemancipate through writing.โ
One person said, โPhilly is a city of muralsโ and followed with a โseeing Ben Franklin.โ Freedom was again mentioned, which seems fitting with what we know about the cityโs early history, congresses, and the Liberty Bell. The second time it was mentioned as โFreedom into flyingโ and pointing to a figure that looked as if about to leave the ground.
More than one participant saw music–music floating, music โadding colorโ, music reaching different corners. The muralโs narrative brought associations to Yeatsโ โnegative capability,โ which suggests the value of living with uncertainty. (A value held by NM close-reading and slow-looking in which we explore together without illusions of โsolvingโ or certainty in deciphering texts.)
Attention was paid to the bright colors, the โopacityโ of the blue, red, pink, and green; the combination of realism, impressionism, and abstraction, and how these aspects โenliven architecture.โ As one participant contributed: โThere is more to an inner city than bricks and cement.โ That comment took us back to an earlier visual text and our discussion of that which is โswirling in the air.โ Another said the lines in the muralโs design made her think of the technique of drawing without lifting the lead from the paper, which provides continuity to the rendering.
Before prompting 4-minutes of writing, when we asked participants to โchatโ possible titles for the (as yet unrevealed) title for this community mural, people suggested;
Freedom
Blowing CirclesโWalls of Jericho
Color Me Here
Chromatic Scripts
Flights of Fancy
Seize Your Joy
Philadelphia Notes
Unconditional Colorful Release
Urban Ballet
Urban Jazz
Urban Jam
When asked to โPortray a person, place, or thing that you wish the light touchedโ those who read their work aloud shared odes to people (family or friends) whose lives seemed limited due to aging or other situations that writers wished light (internal or external) could shine on them. There were comments about limiting our own assumptions about who or when to shine a light on another. As we shared our thoughts, we reflected on the need to be attentive and mindful as we shine light on others – what kind of light would they prefer? whose stories are we taking up and colonizing? Participants were grateful for the new perspective this piece and each otherโs writings contributed, flipping โour expectations of light being a good thingโ. It also revealed how assumptions may shape what we see and hear, or what we look for.
These comments fit well with another personโs writing about turning over rocks in nature and uncovering life that preferred the dark. The writer gave voice to the lives of these โroly-poliesโ who asked the narrator to cover them up again and leave them in the dark.
We closed off by asking ourselves questions about the nature and the origin of light: โDoes lightness have to come from the outside?โ โOr can it come from the inside?โ โOr does it matter as long as we get to experience it?โ
Participants are warmly encouraged to share what you wrote below (โLeave a Replyโ), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.
Also, we would love to learn more about your experience of these sessions, so if youโre able, please take the time to fill out a follow-up survey of one to two quick questions!
Please join us for our next session Wednesday, August 12th at 12pm EDT, with more times listed on our Live Virtual Group Sessions page.

Designed by Brad Carney with The U School students and painted with Asociacion Puertorriquenos en Marcha and the 8th and Diamond Rec Center. For Mural Arts Philadelphia.
