Live Virtual Group Session: 6pm EDT August 10th 2020

Thirty people Zoom-gathered this evening from Argentina, Brazil, Canada, England, India and several states in the USA.

Today, we โ€œclose lookedโ€ at a new kind of text: a mural found in the city of Philadelphia titled “Everything the Light Touches,” designed by Brad Carney with The U School students, and painted with Asociacion Puertorriquenos en Marcha and the 8th and Diamond Rec Center for Mural Arts Philadelphia. After one minute of silent close looking, we shared our impressions and observations. Our first respondent brought attention to the movement in the piece by sharing some of the words that came to her in observing the painting; participants brimmed with observations of what they saw as actions of โ€œreaching, grasping, expandingโ€ in the postures of figures in the mural who they saw โ€œskating, dancing, writingโ€ as they looked for freedom and connection. Some saw women represented and thought of โ€œsisterhoodโ€ and added the idea of โ€œfemale energyโ€ even attempts to โ€œemancipate through writing.โ€

One person said, โ€œPhilly is a city of muralsโ€ and followed with a โ€œseeing Ben Franklin.โ€ Freedom was again mentioned, which seems fitting with what we know about the cityโ€™s early history, congresses, and the Liberty Bell. The second time it was mentioned as โ€œFreedom into flyingโ€ and pointing to a figure that looked as if about to leave the ground.

More than one participant saw music–music floating, music โ€œadding colorโ€, music reaching different corners.  The muralโ€™s narrative brought associations to Yeatsโ€™ โ€œnegative capability,โ€ which suggests the value of living with uncertainty. (A value held by NM close-reading and slow-looking in which we explore together without illusions of โ€œsolvingโ€ or certainty in deciphering texts.)

Attention was paid to the bright colors, the โ€œopacityโ€ of the blue, red, pink, and green; the combination of realism, impressionism, and abstraction, and how these aspects โ€œenliven architecture.โ€ As one participant contributed: โ€œThere is more to an inner city than bricks and cement.โ€ That comment took us back to an earlier visual text and our discussion of that which is โ€œswirling in the air.โ€ Another said the lines in the muralโ€™s design made her think of the technique of drawing without lifting the lead from the paper, which provides continuity to the rendering.

Before prompting 4-minutes of writing, when we asked participants to โ€œchatโ€ possible titles for the (as yet unrevealed) title for this community mural, people suggested;

Freedom

Blowing Circlesโ€”Walls of Jericho

Color Me Here

Chromatic Scripts

Flights of Fancy

Seize Your Joy

Philadelphia Notes

Unconditional Colorful Release

Urban Ballet

Urban Jazz

Urban Jam

When asked to โ€œPortray a person, place, or thing that you wish the light touchedโ€ those who read their work aloud shared odes to people (family or friends) whose lives seemed limited due to aging or other situations that writers wished light (internal or external) could shine on them. There were comments about limiting our own assumptions about who or when to shine a light on another. As we shared our thoughts, we reflected on the need to be attentive and mindful as we shine light on others – what kind of light would they prefer? whose stories are we taking up and colonizing? Participants were grateful for the new perspective this piece and each otherโ€™s writings contributed, flipping โ€œour expectations of light being a good thingโ€. It also revealed how assumptions may shape what we see and hear, or what we look for.

These comments fit well with another personโ€™s writing about turning over rocks in nature and uncovering life that preferred the dark. The writer gave voice to the lives of these โ€œroly-poliesโ€ who asked the narrator to cover them up again and leave them in the dark.    

We closed off by asking ourselves questions about the nature and the origin of light:  โ€œDoes lightness have to come from the outside?โ€ โ€œOr can it come from the inside?โ€ โ€œOr does it matter as long as we get to experience it?โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Wednesday, August 12th at 12pm EDT, with more times listed on our Live Virtual Group Sessions page.


โ€œEverything the Light Touchesโ€
Designed by Brad Carney with The U School students and painted with Asociacion Puertorriquenos en Marcha and the 8th and Diamond Rec Center. For Mural Arts Philadelphia.