Live Virtual Group Session: 12PM EST January 20th 2023

Thank you to everyone who joined us for this session!

For this session we read an excerpt from the essay “Damage” by Wendell Berry, posted below. 

Our prompt was: โ€œWrite about a time you tried to repair something.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday January 23rd at 6pm EST, with more times listed on our Live Virtual Group Sessions.


"Damage" by Wendell Berry

I

I have a steep wooded hillside that I wanted to be able to pasture occasionally, but it had no permanent water supply. 

About halfway to the top of the slope there is a narrow bench, on which I thought I could make a small pond. I hired a man with a bulldozer to dig one. He cleared away the trees and then formed the pond, cutting into the hill on the upper side, piling the loosened dirt in a curving earthwork on the lower. 

The pond appeared to be a success. Before the bulldozer quit work, water had already begun to seep in. Soon there was enough to support a few head of stock. To heal the exposed ground, I fertilized it and sowed it with grass and clover. 

We had an extremely wet fall and winter, with the usual freezing and thawing. The ground grew heavy with water, and soft. The earthwork slumped; a large slice of the woods floor on the upper side slipped down into the pond.

The trouble was the familiar one: too much power, too little knowledge. The fault was mine. 

I was careful to get expert advice. But this only exemplifies what I already knew. No expert knows everything about every place, not even everything about any place. If one's knowledge of one's whereabouts is insufficient, if one's judgment is unsound, then expert advice is of little use. 

II 

In general, I have used my farm carefully. It could be said, I think, that I have improved it more than I have damaged it.

My aim has been to go against its history and to repair the damage of other people. But now a part of its damage is my own. 

The pond was a modest piece of work, and so the damage is not extensive. In the course of time and nature it will heal. 

And yet there is damage to my place, and to me. I have carried out, before my own eyes and against my intention, a part of the modern tragedy: I have made a lasting flaw in the face of the earth, for no lasting good. 

Until that wound in the hillside, my place, is healed, there will be something impaired in my mind. My peace is damaged. I will not be able to forget it. 


Credit: Wendell Berry, Damage, 4 Hastings West Northwest J. of Envtl. L. & Pol'y 71 (1997)


 

Live Virtual Group Session: 12PM EST January 13th 2023

Thank you to everyone who joined us for this session!

For this session we took a close look at a performance titled Celui qui tombe” by Yoann Bourgeois, posted below. 

Our prompt was: โ€œWrite about falling down OR  Write about a time you took a stand.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday January 20th at 12pm EST, with more times listed on our Live Virtual Group Sessions.


Celui qui tombe” by Yoann Bourgeois


Live Virtual Group Session: 6PM EST January 9th 2023

Thank you to everyone who joined us for this session!

For this session we took a close look at the painting The Family, 1988″ by  Paula Rego, posted below. 

Our prompt was: โ€œWrite about a moment of power or powerlessness.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday January 13th at 12pm EST, with more times listed on our Live Virtual Group Sessions.


The Family, 1988″ by  Paula Rego

ยฉ by MCH Swiss Exhibition (Basel) Ltd


Encuentros virtuales en vivo: Sรกbado 7 de enero, 13:00 EST

Nos conectamos 8 personas: desde Nueva York, Espaรฑa y Argentina.

Analizamos la pintura โ€œAdoraciรณn de los Magosโ€, de El Bosco.

Los participantes empiezan destacando los personajes y escenas que parecen ser extraรฑos a la imagen de la adoraciรณn: la batalla que ocurre detrรกs, los personajes que estรกn detrรกs de diferente color, pequeรฑos, sin detalles. La historia se contextualiza en un entorno. Hay muchos contrastes. A la vez es muy simรฉtrico. Destacan muchos detalles extraรฑos: la virgen maria parece rica. La cantidad de detalles difรญciles de contar. El cuadro da lugar a muchas historias extraรฑas. Encontramos de quรฉ modo vamos dando sentido a las imรกgenes del cuadro, sentidos que dependen de cada uno. Destaca que todos los asistentes nos hemos concentrado en el entorno de la imagen principal pero no en la historia central.

La propuesta de escritura fue escribe sobre un regalo. Se escribiรณ sobre el regalo como concepto, sobre el agradecimiento que lleva asociado. Sobre la amistad como el regalo que a su vez regala tiempo, como resonancia. Tambiรฉn se escribiรณ sobre el regalo que no es objeto sino sujeto. El acto de regalar como algo que se contagia. Se hablรณ del valor de los regalos inmateriales y de como, al final, esos son los regalos que mรกs deseamos. Se escribieron historias, ensayos y relatos personales.

Aquรญ, ahora alentamos a los participantes que si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: El sรกbado 28 enero a las 13 hrs. o a la 1 pm EST. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve a nuestra pรกgina de sesiones grupales virtuales .


โ€œAdoraciรณn de Los Magos,โ€ de El Bosco

Copyright ยฉ 2022. Museo Nacional del Prado


Encuentros virtuales en vivo: Sรกbado 17 de diciembre, 13:00 EST

Sesiรณn de medicina narrativa 17 de diciembre, 2022.ย Nos reunimos 6 participantes, desde Argentina, Espaรฑa, Chile, Nueva York, y California.

Comentamos sobre un extracto de la novela โ€œDel Amor y Otro Demonios, escrito porย Gabriel Garcรญa Mรกrquez,ย 

Inmediatamente alguien comentรณ que el รบltimo pรกrrafo es hermoso, que llama la atenciรณn por lo que tiene que ver con la naturaleza. Uno no puede hacer a los pรกjaros cantarโ€”hay que tener paciencia y darle prioridad a los ejemplos que da el doctor. Hoy en dรญa, uno vive de meta en meta en vez de vivir en el momento. Es importante estar activamente en el momento. Es el tiempo el que estรก presente en el cuento. Otro participante notรณ que, si uno estรก pasando bien, el tiempo pasa ligero, pero si uno estรก pasando mal, el tiempo se demora demasiado.

El marquรฉs y los demรกs tienen una gran responsabilidad, deben hacer feliz a la paciente y para hacer esto, los que la cuidan tienen que conocerla muy bien.

Una participante notรณo que la enferma no estรก; hablan de ella, pero no se habla con ella. Son los otros los que son responsables por hacerla feliz. La indicaciรณn se hace al entorno y no al paciente. Esto hizo recordar a otra participante en la diferencia de autonomรญa de muchos pacientes los cuales estรกn decidiendo sus fines de vida en los estados y paรญses que lo permiten.

Al leer el fragmento varias veces nos quedamos pensando si โ€œy mientras tantoโ€ tiene que ver con la paciente o con los que la cuidan. La ambigรผedad del lenguaje deja mucha interpretaciรณn.

Antes de escribir, alguien comentรณ que, โ€œla imaginaciรณn es la mitad de la enfermedadโ€.

La propuesta de escritura fue: escribe sobre un tiempo o momento de espera, sobre un โ€œmientras tantoโ€. Pudimos compartir varios escritos. Un participante escribiรณ sobre estar en un no lugar. Otro participante leyรณ una lista de ejemplos de mientras tantos en la vida. Otro participante se despidiรณ de una etapa difรญcil en su vida. Y otra participante compartiรณ un principio y final.

Aquรญ, ahora alentamos a los participantes que si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: El sรกbado 7 enero a las 13 hrs. o a la 1 pm EST. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve a nuestra pรกgina de sesiones grupales virtuales

DEL AMOR Y OTRO DEMONIOS por Gabriel Garcรญa Mรกrquez

ยซNo podรญa esperarse menos grandeza de su parte, seรฑorยป, le dijo. ยซy no dudo de que su alma tendrรก el temple para soportarloยป.Insistiรณ una vez mรกs en que el pronรณstico no era alarmante. La herida estaba lejos del รกrea de mayor riesgo y nadie recordaba que hubiera sangrado. Lo mรกs probable era que Sierva Marรญa no contrajera la rabia.ยซยฟy mientras tanto?ยป, preguntรณ el marquรฉs.ยซMientras tantoยป, dijo Abrenuncio, ยซtรณquenle mรบsica, llenen la casa de flores, hagan cantar los pรกjaros, llรฉvenla a ver los atardeceres en el mar, denle todo lo que pueda hacerla felizยป. Se despidiรณ con un voleo del sombrero en el aire y la sentencia latina de rigor. Pero esta vez la tradujo en honor del marquรฉs: ยซNo hay medicina que cure lo que no cura la felicidadยป. p. 24


Live Virtual Group Session: 12PM EST December 16th 2022

Thank you to everyone who joined us for this session!

For this session we read a poem What You Missed That Day You Were Absent from Fourth Grade” by Brad Aaron Modlin from Everyone at This Party Has Two Names, posted below. 

Our prompt was: โ€œWrite about what you had to learn on your own.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday January 9th at 6pm EST, with more times listed on our Live Virtual Group Sessions.


"What You Missed That Day You Were Absent from Fourth Grade" by Brad Aaron Modlin

Mrs. Nelson explained how to stand still and listen
to the wind, how to find meaning in pumping gas,

how peeling potatoes can be a form of prayer. She took
questions on how not to feel lost in the dark

After lunch she distributed worksheets
that covered ways to remember your grandfatherโ€™s

voice. Then the class discussed falling asleep
without feeling you had forgotten to do something elseโ€”

something importantโ€”and how to believe
the house you wake in is your home. This prompted

Mrs. Nelson to draw a chalkboard diagram detailing
how to chant the Psalms during cigarette breaks,

and how not to squirm for sound when your own thoughts
are all you hear; also, that you have enough.

The English lesson was that I am
is a complete sentence.

And just before the afternoon bell, she made the math equation
look easy. The one that proves that hundreds of questions,

and feeling cold, and all those nights spent looking
for whatever it was you lost, and one person

add up to something.

credit: Everyone at This Party Has Two Names by Brad Aaron Modlin. Copyright ยฉ 2016 

Live Virtual Group Session: 6PM EST December 12th 2022

Thank you to everyone who joined us for this session!

For this session we read a poem “Happiness” by Jane Kenyon, posted below. 

Our prompt was: โ€œWrite about happiness.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday December 16th at 12pm EST, with more times listed on our Live Virtual Group Sessions.

"Happiness" by Jane Kenyon

Thereโ€™s just no accounting for happiness,
or the way it turns up like a prodigal
who comes back to the dust at your feet
having squandered a fortune far away.

And how can you not forgive?
You make a feast in honor of what
was lost, and take from its place the finest
garment, which you saved for an occasion
you could not imagine, and you weep night and day
to know that you were not abandoned,
that happiness saved its most extreme form
for you alone.

No, happiness is the uncle you never
knew about, who flies a single-engine plane
onto the grassy landing strip, hitchhikes
into town, and inquires at every door
until he finds you asleep midafternoon
as you so often are during the unmerciful
hours of your despair.

It comes to the monk in his cell.
It comes to the woman sweeping the street
with a birch broom, to the child
whose mother has passed out from drink.
It comes to the lover, to the dog chewing
a sock, to the pusher, to the basketmaker,
and to the clerk stacking cans of carrots
in the night.
                     It even comes to the boulder
in the perpetual shade of pine barrens,
to rain falling on the open sea,
to the wineglass, weary of holding wine.

Live Virtual Group Session: 12PM EST December 9th 2022

Thank you to everyone who joined us for this session!

For this session we took a close look at the painting “Room in New York” by Edward Hopper, posted below. 

Our prompt was: โ€œWrite about being alone together.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday December 12th at 6pm EST, with more times listed on our Live Virtual Group Sessions.


“Room in New York” by Edward Hopper

Credit: http://www.edwardhopper.net


Live Virtual Group Session: 6PM EST December 5th 2022

Thank you to everyone who joined us for this session!

For this session we read a poem “Alive at the End of the World” by Saeed Jones, posted below. 

Our prompt was: โ€œWrite about the end of the world.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday December 9th at 12pm EST, with more times listed on our Live Virtual Group Sessions.


"Alive at the End of the World" by Saeed Jones

The End of the World was a nightclub.
Drag queens with machetes and rhinestoned

machine guns guarded the red and impassable
door on Friday nights. Just a look at the crowd,

all dressed up and swaying outside, made people
want to yell the truth about themselves to anyone

whoโ€™d listen, but no one heard. The End of the World
was loud. The End of the World leaked music

like radiation, and we loved the neon echo, even
though it taunted us or maybe because it taunted us:

kids leaning out of windows hours after bedtime,
cabdrivers debating fares at the curb just for an excuse

to linger, pastors whoโ€™d pause at the corner and vow
that if they ever got inside, theyโ€™d burn it all down.

Credit: Saeed Jones

Live Virtual Group Session: 12PM EST November 30th 2022

Thank you to everyone who joined us for this session!

For this session we read a poem The Lilies” by Karenne Wood, posted below. 

Our prompt was: โ€œGrowing in the darkness.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday December 5th at 6pm EST, with more times listed on our Live Virtual Group Sessions.

"The Lilies" by Karenne Wood

When I learned I might have cancer,
I bought fifteen white lilies. Easter was gone:
the trumpets were wilted, plants crooked with roots
bound in pots. I dug them into the garden,
knowing they would not bloom for another year.
All summer, the stalks stood like ramshackle posts
while I waited for results. By autumn, the stalks
had flopped down. More biopsies, laser incisions,
the cancer in my tongue a sprawling mass. Outside,
the earth remained bare, rhizomes shrunken
below the frost line. Spring shoots appeared
in bright green skins, and lilies bloomed
in July, their waxed trumpets pure white,
dusting gold pollen to the ground.
                                                                     This year,
tripled in number, they are popping up again. I wait,
a ceremony, for the lilies to open, for the serpentine length
of the garden to bloom in the shape of my tongueโ€™s scar,
a white path with one end leading into brilliant air,
the other down the throatโ€™s canyon, black
and unforgiving. I try to imagine
what could grow in such darkness. I am waiting
for the lilies to open.

Credit: ยฉ 2001 by Karenne Wood