Live Virtual Group Session: 12PM EDT June 2nd 2023

Thank you to everyone who joined us for this session!

For this session we took a close look at “Tar Beach” by Faith Ringgold, posted below.

Our prompt was: โ€œWrite about what you will always remember.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday June 12th at 6pm EDT, with more times listed on our Live Virtual Group Sessions.


“Tar Beach” by Faith Ringgold

Credit: Faith Ringgold (1996.) New York: Penguin Random House

I will always remember when the stars fell down  around me and lifted me up above the George Washington Bridge
 
I could see our tiny roof top with Mommy and Daddy and Mr. and Mrs. Honey, our next door neighbors, still playing cards
as if nothing was going on, and Be Be, my baby brother, laying real still on the mattress, just like I told him to, his eyes like huge floodlights tracking me through the 
sky.
 
Sleeping on Tar Beach was magical. Laying on the roof in the night with starts and skyscraper buildings all around me made me feel rich, like I owned all that I could see. The bridge was my most prized possession.
 
Daddy said the George Washington Bridge was the longest and most beautiful bridge in the world and that it opened in 1931 on the very day I was born. Daddy worked on the bridge, hoisting cables. Since then, Iโ€™ve wanted that bridge to be mine.
 
Now I have claimed it all. All I had to do was fly over it for it to be mine forever. I can wear it like a giant diamond necklace, or just fly over it and marvel at its sparkling beauty. I can fly, yes, fly. Me, Cassie Louise Lightfoot, only eight years old and in the third grade and I can fly.

That means I am free to go wherever I want to for the 
rest of my life.
     Daddy took me to see the new union building he is
working on. He can walk on steel girders high up in the
sky and not fall. They call him The Cat.
 
But still he canโ€™t join the union because Grandpa wasnโ€™t a member. Well Daddy is going to own the building cause Iโ€™m gonna fly over it and give it to him. Then it wonโ€™t matter that heโ€™s not in their ole union or whether heโ€™s colored or a half breed Indian like they say.
 
Heโ€™ll be rich and wonโ€™t have to stand on 24 story high girders and look down. He can look up at his building going up. And Mommy wonโ€™t cry all winter when Daddy goes to look for work and doesnโ€™t come home. And Mommy can laugh and sleep late like Mrs. Honey and we can have ice cream every night for dessert.
 
Next Iโ€™m going to fly over the ice cream factory just to 
make sure we do.
      Tonight weโ€™re going up to Tar Beach. Mommy is roasting peanuts and frying chicken and Daddy will bring home a watermelon. Mr. and Mrs. Honey will the beer and their old green card table. And then the stars will fall around me and I will fly to the union building.
 
Iโ€™ll take Be Be with me. He has threatened to tell Mommy and Daddy if I leave him behind.  
    I have told him itโ€™s very easy, anyone can fly. All
you need is somewhere to go that you canโ€™t get to any other way.  The next thing you know, youโ€™ll be flying among the stars.


Encuentros virtuales en vivo: Sรกbado 20 de mayo, 13:00 EDT

En la sesiรณn utilizamos la fotografรญa โ€œGente en su casaโ€, ย de Andy Goldstein.

No reunimos 5 personas, desde Chile, EEUU y Espaรฑa.

Comentamos sobre la fotografรญa de Andy Goldstein de la serie โ€œGente en su casaโ€. Nos llamรณ la atenciรณn el aspecto de pobreza del hogar y como hay detalles como las estrellas que decoran el techo. Las miradas de las personas, como desafiando al que mira, tambiรฉn llamaron mucho nuestra atenciรณn. Vimos que el lugar estรก abarrotado de muchas cosas; interpretamos que son y quรฉ lugar ocupan en cada sitio.

Vamos despertando a cada detalle y buscando significados. Hay mucha vida. Pero nos preguntamos quรฉ vida tienen, intentamos averiguar cรณmo es que se organizan, que hace cada uno. Descubrimos como interpretamos la historia desde nuestros propios marcos de significado. Intentamos comprender la vida que hay en la fotografรญa.

La propuesta de escritura fue, โ€œUno de nuestros hogaresโ€. Escribimos sobre cรณmo vivimos en los hogares, sus historias y lo bueno de ellos. Y como nos sentimos en ellos. Hablamos de quรฉ es importante para sentirnos en un hogar.

Aquรญ, ahora alentamos a los participantes que, si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre la fotografรญa de Andy Goldstein de la serie โ€œGente en su casaโ€. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: El sรกbado 17 junio a las 13 hrs. o a la 1 pm EDT. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve a nuestra pรกgina de sesiones grupales virtuales

ANDY GOLDSTEIN ”GENTE EN SU CASA”

Credit: Andy Goldstein


Live Virtual Group Session: 12PM EDT May 19th 2023

Thank you to everyone who joined us for this session!

For this session we took a close look at Encaustic, acrylic on paper bag, pencil, vellum, masking tape” by Marn Jensen, from Art of the Wish posted below.

Our prompt was: โ€œWhat carries you?โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday June 2nd at 12pm EDT, with more times listed on our Live Virtual Group Sessions.


Encaustic, acrylic on paper bag, pencil, vellum, masking tape” by Marn Jensen, from Art of the Wish

Credit: Marn Jensen


Live Virtual Group Session: 12PM EDT May 12th 2023

Thank you to everyone who joined us for this session!

For this session we took a close listen to “Iโ€™ll Fly Away” by Albert E. Brumley, posted below.

Our prompt was: โ€œStart with ‘Iโ€™ll fly away.’โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday May 19th at 12pm EDT, with more times listed on our Live Virtual Group Sessions.


"Iโ€™ll Fly Away" by Albert E. Brumley
Credit: Gillian Welch, Alison Krauss


Live Virtual Group Session: 6PM EDT May 8th 2023

Thank you to everyone who joined us for this session!

For this session we took a close look at an image from Guillermo del Toro, Pinocchio (2022)” and read a poem published in Sappho: One Hundred Lyrics (Chatto and Windus, 1907), posted below.

Our prompt was: Write beginning with the words โ€œ Dear Sappho.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday May 12th at 12pm EDT, with more times listed on our Live Virtual Group Sessions.


XII
	Sappho 
 
In a dream I spoke with the Cyprus-born,
      And said to her,
"Mother of beauty, mother of joy,
Why hast thou given to men
 
 
"This thing called love, like the ache of a wound
      In beauty's side,
To burn and throb and be quelled for an hour
And never wholly depart?"
 
And the daughter of Cyprus said to me,
      "Child of the earth,
Behold, all things are born and attain,
But only as they desire,โ€”
 
"The sun that is strong, the gods that are wise,
     The loving heart,
Deeds and knowledge and beauty and joy,โ€”
But before all else was desire.

This poem was published in Sappho: One Hundred Lyrics (Chatto and Windus, 1907), translated by Bliss Carman.

Live Virtual Group Session: 12PM EDT May 5th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem Ending the Estrangement” by Ross Gay, posted below.

Our prompt was: โ€œWrite about ending an estrangement.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday May 8th at 6pm EDT, with more times listed on our Live Virtual Group Sessions.


"Ending the Estrangement" by Ross Gay

from my mother's sadness, which was,
to me, unbearable, until,
it felt to me 
not like what I thought it felt like
to her, and so felt inside myselfโ€”like death,
like dying, which I would almost
have rather done, though adding to her sadness
would rather die than doโ€”
but, by sitting still, like what, in fact, it wasโ€”
a form of gratitude
which when last it came
drifted like a meadow lit by torches
of cardinal flower, one of whose crimson blooms,
when a hummingbird hovered nearby,
I slipped into my mouth
thereby coaxing the bird
to scrawl on my tongue
its heart's frenzy, its fleet
nectar-questing song,
with whom, with you, dear mother,
I now sing along.

Ross Gay, "Ending the Estrangement" from Catalog of Unabashed Gratitude. Copyright ยฉ 2015 by Ross Gay.  Reprinted by permission of University of Pittsburgh Press.
Source: Catalog of Unabashed Gratitude (University of Pittsburgh Press, 2015)

Encuentros virtuales en vivo: Sรกbado 29 de abril, 13:00 EDT

Nos reunimos 6 personas, desde Tenerife, Valencia, Manhattan, y Argentina.

La obra que hemos leรญdo y analizado es cuento corto โ€œEl Besoโ€, de Galeano (Uruguay).

Una de las participantes notรณ el contraste del tรญtulo con el sujeto del cuento. Y preguntรณ porque Antonio Pujรญa se atreviรณ a cambiar la memoria de alguien, de al menos dos personas, en los cambios que le hizo a la lรกpida. Tambiรฉn surgiรณ la pregunta: ยฟSerรก que el aรฑo del fin de los dos son los mismos? Galeano nos deja esa incertidumbre.

Otra persona no entiende como es que el escultor, Antonio Pujรญa, no ve lo que hay debajo del mรกrmol. Es un artista y claro que tiene que ver o saber lo que hay ahรญ. Ninguna escultura estรก terminada. 

El cuento le trajo a la mente a un participante los โ€œprioggiโ€ de Miguel รngel, como el mรกrmol encierra la obra prisionera. Se preguntรณ: ยฟserรก que es del escultor o de la piedra? ยฟQuรฉ ocurre dentro de los libros cuando estรกn cerrados? ยฟAcaso el compositor oye la sinfonรญa entera en su cabeza antes de escribirla, o surge y se crea en tiempo real? Como decรญa Frank Zappa, se nos da a cada uno un periodo de tiempo y la posibilidad de adornarlo. Y se notรณ que ninguna escultura estรก acabada. ยฟSerรก que es la piedra la que manda, no el escultor?

Pensando que Galeano puso el โ€œaรฑo del finโ€ en vez del โ€œaรฑo de la muerteโ€, alguien se preguntรณ, ยฟy si el โ€œaรฑo del finโ€ es el aรฑo del fin de la relaciรณn y no el aรฑo de la muerte? ยฟSerรก que ordenรณ una lรกpida para el final de una relaciรณn?

Aun otro participante propone que la lรกpida pudo haber sido de dos personas, en diferentes tiempos, en diferentes lados de la lรกpida.

ยฟY por quรฉ ese tรญtulo? Es un beso frio, o de despedida. El debate fue multifacรฉtico y rico.

La propuesta de escritura fue โ€œEscribe sobre un momento en que viste lo inesperadoโ€. Se escribiรณ de los rostros, en la sombra del texto. Otras escrituras en la sombra, una participante escribiรณ de no saber de la incapacidad de la persona con quien estaba hablando. Habรญa memorias de la niรฑez y momentos traumรกticos. Un texto tenรญa capas de momentos inesperados. Otro texto nos recordรณ que cuando alguien viene hablar con nosotros, pensamos que es por algo negativo en vez de pensar que puede ser por algo positivo.

Aquรญ, ahora alentamos a los participantes que, si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre el cuento corto de โ€œEl Besoโ€, Galeano. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: El sรกbado 20 de mayo a las 13 hrs. o a la 1 pm EST.

ยกEsperamos verte pronto!


El beso, Galeano (Uruguay)

โ€œAntonio Pujรญa eligiรณ, al azar, uno de los bloques de mรกrmol de Carrara que habรญa ido comprando a lo largo de los aรฑos.
Era una lรกpida. De alguna tumba vendrรญa, vaya a saber de dรณnde; รฉl no tenรญa la menor idea de cรณmo habรญa ido a parar a su taller.

Antonio acostรณ la lรกpida sobre una base de apoyo, y se puso a trabajarla. Alguna idea tenรญa de lo que querรญa esculpir, o quizรก no tenรญa ninguna. Empezรณ por borrar la inscripciรณn: el nombre de un hombre, el aรฑo del nacimiento, el aรฑo del fin.

Despuรฉs, el cincel penetrรณ el mรกrmol. Y Antonio encontrรณ una sorpresa, que lo estaba esperando piedra adentro: la veta tenรญa la forma de dos caras que se juntaban, algo asรญ como dos perfiles unidos frente a frente, la nariz pegada a la nariz, la boca pegada a la boca. El escultor obedeciรณ a la piedra. Y fue excavando, suavemente, hasta que cobrรณ relieve aquel encuentro que la piedra contenรญa.

Al dรญa siguiente, dio por concluido su trabajo. Y entonces, cuando levantรณ la escultura, vio lo que antes no habรญa visto. Al dorso, habรญa otra inscripciรณn: el nombre de una mujer, el aรฑo
del nacimiento, el aรฑo del fin. โ€œ

ยฉ2021 AlbaLearning (All rights reserved)

Live Virtual Group Session: 12PM EDT April 28th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem Instructions on Not Giving Up” by Ada Limรณn, posted below.

Our prompt was: โ€œStart with ‘Iโ€™ll take it all.’โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday May 5th at 12pm EDT, with more times listed on our Live Virtual Group Sessions.


"Instructions on Not Giving Up" by Ada Limรณn

More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighborโ€™s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, itโ€™s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the worldโ€™s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
Iโ€™ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, Iโ€™ll take it all.

Copyright ยฉ 2017 by Ada Limรณn. Originally published in Poem-a-Day on May 15, 2017, by the Academy of American Poets.

Our 300th Live Virtual Group Session! 6PM EDT April 17th 2023

Thank you to everyone who joined us to celebrate our *300th* virtual group session!

For this session we read a poem “Small Kindnesses” by Danusha Lamรฉris, posted below.

Our prompt was:ย โ€œBegin with the word ‘Strangersโ€ฆ‘โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday April 28th at 12pm EDT, with more times listed on our Live Virtual Group Sessions.


"Small Kindnesses" by Danusha Lamรฉris        
 
Iโ€™ve been thinking about the way, when you walk
down a crowded aisle, people pull in their legs
to let you by. Or how strangers still say โ€œbless youโ€
when someone sneezes, a leftover
from the Bubonic plague. โ€œDonโ€™t die,โ€ we are saying.
And sometimes, when you spill lemons
from your grocery bag, someone else will help you
pick them up. Mostly, we donโ€™t want to harm each other.
We want to be handed our cup of coffee hot,
and to say thank you to the person handing it. To smile
at them and for them to smile back. For the waitress
to call us honey when she sets down the bowl of clam chowder,
and for the driver in the red pick-up truck to let us pass.
We have so little of each other, now. So far
from tribe and fire. Only these brief moments of exchange.
What if they are the true dwelling of the holy, these
fleeting temples we make together when we say, โ€œHere,
have my seat,โ€ โ€œGo aheadโ€”you first,โ€ โ€œI like your hat.โ€

The New York Times (9/19/2019),   Bonfire Opera



Live Virtual Group Session: 6PM EDT April 10th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem “On the Road Home” by Wallace Stevens, posted below.

Our prompt was: โ€œBegin withโ€ฆ ‘it was when you said.’โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday April 17th at 6pm EDT, with more times listed on our Live Virtual Group Sessions.


"On the Road Home" by Wallace Stevens

It was when I said,
โ€œThere is no such thing as the truth,โ€
That the grapes seemed fatter.
The fox ran out of his hole.

You . . . You said
โ€œThere are many truths,
But they are not parts of a truth.โ€
Then the tree, at night, began to change,

Smoking through green and smoking blue.
We were two figures in a wood.
We said we stood alone.

It was when I said,
โ€œWords are not forms of a single word.
In the sum of the parts, there are only the parts.
The world must be measured by eyeโ€;

It was when you said,
โ€œThe idols have seen lots of poverty,
Snakes and gold and lice,
But not the truthโ€;

It was at that time, that the silence was largest
And longest, the night was roundest,
The fragrance of the autumn warmest,
Closest and strongest.

Credit: Wallace Stevens.