Live Virtual Group Session: 12PM EDT October 20th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem Sorrow Is Not My Name” by Ross Gay, posted below.

Our prompt was: โ€œWrite about what keeps you from sorrow.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday October 23rd at 6pm EDT, with more times listed on our Live Virtual Group Sessions.


"Sorrow Is Not My Name" by Ross Gay

       โ€”after Gwendolyn Brooks

No matter the pull toward brink. No
matter the florid, deep sleep awaits.
There is a time for everything. Look,
just this morning a vulture
nodded his red, grizzled head at me,
and I looked at him, admiring
the sickle of his beak.
Then the wind kicked up, and,
after arranging that good suit of feathers
he up and took off.
Just like that. And to boot,
there are, on this planet alone, something like two
million naturally occurring sweet things,
some with names so generous as to kick
the steel from my knees: agave, persimmon,
stick ball, the purple okra I bought for two bucks
at the market. Think of that. The long night,
the skeleton in the mirror, the man behind me
on the bus taking notes, yeah, yeah.
But look; my niece is running through a field
calling my name. My neighbor sings like an angel
and at the end of my block is a basketball court.
I remember. My color's green. I'm spring.

      โ€”for Walter Aikens

Copyright ยฉ 2011 by Ross Gay. 
Source: Bringing the Shovel Down (University of Pittsburgh Press, 2011)

Live Virtual Group Session: 12PM EDT October 6th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem “Finale” by Pablo Neruda, posted below.

Our prompt was:ย โ€œWrite about a sea of renewal.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday October 20th at 12pm EDT, with more times listed on ourย Live Virtual Group Sessions.


"Finale" by Pablo Neruda

Matilde, years or days
sleeping, feverish,ย 
here or there,
gazing off,
twisting my spine,ย ย ย 
bleeding true blood,ย ย ย 
perhaps I awaken
or am lost, sleeping:
hospital beds, foreign windows,
white uniforms of the silent walkers,
the clumsiness of feet.

And then, these journeysย ย ย 
and my sea of renewal:ย ย ย 
your head on the pillow,ย ย ย 
your hands floating
in the light, in my light,ย ย ย 
over my earth.
It was beautiful to liveย ย ย 
when you lived!

The world is bluer and of the earthย ย ย 
at night, when I sleep
enormous, within your small hands.

Source: The Sea and the Bells (City Lights Books, 2002)

Live Virtual Group Session: 6PM EDT September 18th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem “Love After Love ” by Derek Walcott, posted below.

Our prompt was: โ€œWrite about finding yourself (again).โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday October 6th at 12pm EDT, with more times listed on ourย Live Virtual Group Sessions.


“Love After Love ” by Derek Walcott

The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the otherโ€™s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

credit: all poetry.com


Encuentros virtuales en vivo: Sรกbado 16 de septiembre, 13:00 EDT

El enfoque de esta sesiรณn es la pintura โ€œLos Mรบsicosโ€, de Fernando Botero, pintor colombiano.

Cinco participantes se reunieron desde Espaรฑa, Argentina, y EEUU.

Elegimos esta pintura porque Fernando Botero muriรณ el 15 de septiembre. Lo primero que se nota es que al pintor siempre le gustรณ el gran volumen y que aquรญ hay uniformidad del color. Los mรบsicos se parecen tanto que parecen parientes. Siempre este pintor elige pintar cuerpos grandes. Como eligiรณ pintar las personas, son mรกs importantes los cuerpos que los instrumentos. Las cerraduras son demasiadas pequeรฑas para salir sonido. La chica es bajita y hay un seรฑor aรบn mรกs bajito. Los instrumentos ocultan unos de los cuerpos. Parece una orquestra de pueblo, pero tienen instrumentos de viento complejos (como el que parece un fagot).

Un participante pregunto ยฟporque hay un pรกjaro y una fruta? ยฟPorque pintar las personas tan realistas pero los instrumentos cรณmicos? El contraste del volumen de los cuerpos y de los agujeros diminutos de los instrumentos; la mรบsica no podrรญa salir.

Alguien mencionรณ que no hay espacio ni aire entre los cuerpos ni los instrumentos. En varias entrevistas el pintor dijo que รฉl no pintaba figuras voluminosas. ร‰l se referรญa a sus obras como โ€œformas realistasโ€ y que el arte debe dar placer. 

La propuesta de escritura fue, โ€œEscribe sobre aquella mรบsicaโ€. Las escrituras cubrieron recuerdos de tango y niรฑez, un recuerdo que inicio para un participante la escritura de un soneto, momentos bellos y reflexivos de niรฑez, y lo esencial que es la mรบsica para otra participante.

Aquรญ, ahora alentamos a los participantes que, si asรญ lo desean, compartan lo que escribieron a continuaciรณn.ย Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre la pinturaย deย Fernando Botero.ย Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: Elย sรกbado 21 de octubre a las 13 hrs. o a la 1 pm EDT. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve aย nuestra pรกgina deย sesiones grupales virtuales en vivo.

ยกEsperamos verte pronto!


โ€œLos Mรบsicosโ€, de Fernando Botero


Live Virtual Group Session: 12PM EDT September 15th 2023

Thank you to everyone who joined us for this session!

For this session we took a close look at the painting Self-portrait on the Border Line Between Mexico and the United States, 1932” by Frida Kahlo, posted below.

Our prompt was:ย โ€œWrite about inhabiting two worlds.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday September 18th at 6pm EDT, with more times listed on our Live Virtual Group Sessions.


Self-portrait on the Border Line Between Mexico and the United States, 1932” by Frida Kahlo

ยฉ Banco de Mรฉxico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York


Live Virtual Group Session: 6PM EDT September 11th 2023

Thank you to everyone who joined us for this session!

For this session we read an excerpt “Knoxville: Summer 1915ย ” from A Death in the Family by James Agee, posted below.

Our prompt was: โ€œWrite about what enchants your ears.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday September 15th at 12pm EDT, with more times listed on our Live Virtual Group Sessions.


“Knoxville: Summer 1915ย ” from A Death in the Family by James Agee

Now is the night one blue dew, my father has drained, he has coiled the hose. 

Low on the length of lawns, a frailing of fire who breathes. 

Content, silver, like peeps of light, each cricket makes his comment 

  over and over in the drowned grass. 

A cold toad thumpily flounders. 

Within the edges of damp shadows of side yards are hovering children 

  nearly sick with joy of fear, who watch the unguarding of a telephone pole. 

Around white carbon corner lamps bugs of all sizes are lifted elliptic, 

  solar systems. Big hardshells bruise themselves, assailant: he is fallen on his back, legs squiggling. 

Parents on porches: rock and rock: From damp strings morning glories: 

  hang their ancient faces. 

The dry and exalted noise of the locusts from all the air at once enchants my eardrums.


Live Virtual Group Session: 6PM EDT August 14th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem “All the Words I Can Remember Are Poems” by Michelle Peรฑalozachelle, posted below.

Our prompt was: โ€œAsk a question about the world.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday September 11th at 6pm EDT, with more times listed on ourย Live Virtual Group Sessions.


“All the Words I Can Remember Are Poems” by Michelle Peรฑalozachelle

Source: Poetry (July/August 2023)


Live Virtual Group Session: 12PM EDT August 11th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem For What Binds Us” by Jane Hirshfield, posted below.

Our prompt was: โ€œWrite about what is contained in a scar.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday August 14th at 6pm EDT, with more times listed on our Live Virtual Group Sessions.


 "For What Binds Us" by Jane Hirshfield

There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they've been set downโ€”
and gravity, scientists say, is weak.

And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There's a name for it on horses,
when it comes back darker and raised: proud flesh,

as all flesh,
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chestโ€”

And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.

Jane Hirshfield, "For What Binds Us" from Of Gravity & Angels. Copyright ยฉ 1988 by Jane Hirshfield and reprinted by permission of Wesleyan University Press.

Source: Of Gravity & Angels (Wesleyan University Press, 1988)

Encuentros virtuales en vivo: Sรกbado 05 de agosto, 13:00 EDT

Nos reunimos 6 personas desde Nueva York, California, Argentina y Espaรฑa.

Compartimos una Poesรญa Purรฉpecha, de autor desconocido. Tras leer el poema, comentamos lo que nos habรญa llamado la atenciรณn. La importancia de estar atento a la experiencia cotidiana de la vida. Reconocer la vida como proceso, como camino, como presente. El poema como compendio de la vida, material e inmaterial. La vida como hecho biolรณgico. Lo รบnico que queda es informaciรณn.

Se hablรณ de la capacidad del poema para, en su ambigรผedad, su uso de lo impersonal, poder ser adoptado por todas las personas. En que al ser impersonal se vuelve personal para cada uno. Se hablรณ de la personalizaciรณn de la รบltima estrofa, y debatimos sobre lo que podemos y no podemos, debemos y no debemos acumular para llevar. El poema oscila entre lo universal que es particular para cada uno.

Para otro participante el poema habla de la vida como materia e inmateria, una vida similar. Solo somos recuerdos emocionantes. Comentamos que el poema habla de un punto de ruptura. Para que ocurra โ€œese dรญaโ€ es necesario estar presente. 

Hicimos dos propuestas de escritura. Dejamos que los participantes escogieran entre: En la vidaโ€ฆ y El dรญa que comprendรญโ€ฆ

Se escribiรณ sobre esos dรญas que nos hicieron comprender cosas fundamentales de la vida. Sobre la relaciรณn con la muerte como modo de vivir la vida. Sobre las experiencias que queremos guardar para llevar al final de la vida. Del presente como regalo para disfrutar. Y nos regalaron poemas que fueron escritos en otro tiempo.

Aquรญ, ahora alentamos a los participantes que, si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre la Poesรญa Purรฉpecha, autor desconocido. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: El sรกbado 16 septiembre a las 13 hrs. o a la 1 pm EDT. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve a nuestra pรกgina de sesiones grupales virtuales.

ยกEsperamos verte pronto!


Poesรญa Purรฉpecha por autor desconocido.

En la vida ni se gana ni se pierde,
ni se fracasa
ni se triunfa.

En la vida se aprende,
se crece,
se descubre,
se escribe,
se borra.

Y se reescribe otra vez,
se hila,
se deshila y
se vuelve a hilar.

El dรญa que comprendรญ
que lo รบnico que me voy a llevar es lo que vivo,
empecรฉ a vivir lo que me quiero llevarโ€.

Live Virtual Group Session: 12PM EDT August 4th 2023

Thank you to everyone who joined us for this session!

For this session we took a close look a the painting “Round Hill, 1977” by Alex Katz, posted below.

Our prompt was: โ€œWrite about a conversation that never happened.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday August 11th at 12pm EDT, with more times listed on our Live Virtual Group Sessions.


Round Hill, 1977″ by Alex Katz

ยฉ Alex Katz/Licensed by VAGA at Artists Rights Society (ARS), NY