Live Virtual Group Session: 6PM EDT June 20th 2022

Thank you to everyone who joined us for this session!

Thirty participants gathered from diverse geographies and time zones to listen, read, discuss, and write with a focus on Juneteenth the federal holiday celebrating June 19, 1865, the day when an estimated 250,000 enslaved people in Texas learned of their emancipation, which had been proclaimed more than two years earlier.

After watching a video of Danez Smith performing the poem dear white america in 2014 (video and text posted below), we silently read the text, discussed tone, themes, metaphors, and structure, as well as thoughts and emotions evoked in us when hearing Smithโ€™s powerful delivery. Such a dense and sonorous text stimulated explorations of meaning, connections to biblical references and Shakespeare, and biting and evocative wordplay employed by the author, who follows the naming of murdered/disappeared Black boys with โ€œabra-cadaver, white bread voodoo.โ€

The choice of promptsย โ€œWrite about the planet you search forโ€ OR “Write a new history called forth journeys through and to places of desired values and safety. ย 

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday June 24th at 12pm EDT, with more times listed on our Live Virtual Group Sessions page.


dear white america by Danez Smith

iโ€™ve left Earth in search of darker planets, a solar system revolving too near a black hole. iโ€™ve left in search of a new God. i do not trust the God you have given us. my grandmotherโ€™s hallelujah is only outdone by the fear she nurses every time the blood-fat summer swallows another child who used to sing in the choir. take your God back. though his songs are beautiful, his miracles are inconsistent. i want the fate of Lazarus for Renisha, want Chucky, Bo, Meech, Trayvon, Sean & Jonylah risen three days after their entombing, their ghost re-gifted flesh & blood, their flesh & blood re-gifted their children. iโ€™ve left Earth, i am equal parts sick of your go back to Africa & i just donโ€™t see race. neither did the poplar tree. we did not build your boats (though we did leave a trail of kin to guideus home). we did not build your prisons (though we did & we fill them too). we did not ask to be part of your America (though are we not America? her joints brittle & dragging a ripped gown through Oakland?). i canโ€™t stand your ground. iโ€™m sick of calling your recklessness the law. each night, i count my brothers. & in the morning, when some do not survive to be counted, i count the holes they leave. i reach for black folks & touch only air. your master magic trick, America. now heโ€™s breathing, now he donโ€™t. abra-cadaver. white bread voodoo. sorcery you claim not to practice, hand my cousin a pistol to do your work. i tried, white people. i tried to love you, but you spent my brotherโ€™s funeral making plans for brunch, talking too loud next to his bones. you took one look at the river, plump with the body of boy after girl after sweet boi & ask why does it always have to be about race? because you made it that way! because you put an asterisk on my sisterโ€™s gorgeous face! call her pretty (for a black girl)! because black girls go missing without so much as a whisper of where?! because there are no amber alerts for amber-skinned girls! because Jordan boomed. because Emmett whistled. because Huey P. spoke. because Martin preached. because black boys can always be too loud to live. because itโ€™s taken my papaโ€™s & my grandmaโ€™s time, my fatherโ€™s time, my motherโ€™s time, my auntโ€™s time, my uncleโ€™s time, my brotherโ€™s & my sisterโ€™s time . . . how much time do you want for your progress? iโ€™ve left Earth to find a place where my kin can be safe, where black people ainโ€™t but people the same color as the good, wet earth, until that means something, until then i bid you well, i bid you war, i bid you our lives to gamble with no more. iโ€™ve left Earth & i am touching everything you beg your telescopes to show you. iโ€™m giving the stars their right names. &this life, this new story & history you cannot steal or sell or cast overboard or hang or beat or drown or own or redline or shackle or silence or cheat or choke or cover up or jail or shoot or jail or shoot or jail or shoot or ruin 

										                                                                                                                                   this, if only this one, is ours.

Live Virtual Group Session: 12PM EDT June 17th 2022

Thank you to everyone who joined us for this session!

For this session we read a poem His Stillness by Sharon Olds, posted below. 

Our prompt was: โ€œWrite about sitting in stillnessโ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday June 20th at 6pm EDT, with more times listed on our Live Virtual Group Sessions page.


His Stillness by Sharon Olds

The doctor said to my father, โ€œYou asked me
to tell you when nothing more could be done.   
Thatโ€™s what Iโ€™m telling you now.โ€ My father   
sat quite still, as he always did,
especially not moving his eyes. I had thought   
he would rave if he understood he would die,   
wave his arms and cry out. He sat up,   
thin, and clean, in his clean gown,
like a holy man. The doctor said,
โ€œThere are things we can do which might give you time,
but we cannot cure you.โ€ My father said,   
โ€œThank you.โ€ And he sat, motionless, alone,   
with the dignity of a foreign leader.
I sat beside him. This was my father.
He had known he was mortal. I had feared they would have to   
tie him down. I had not remembered
he had always held still and kept quiet to bear things,   
the liquor a way to keep still. I had not   
known him. My father had dignity. At the   
end of his life his life began
to wake in me

Source: Strike Sparks: Selected Poems, 1980-2002 (Alfred A. Knopf, 2004)

Live Virtual Group Session: 6PM EDT June 13th 2022

Thank you to everyone who joined us for this session!

For this session we read a poem All the Stones That Built Me by Somto Ihezue, posted below. 

Our prompt was: โ€œWrite about a time you thought: How long have you died here? OR Write about the things that built you.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday June 17th at 12pm EDT, with more times listed on our Live Virtual Group Sessions page.


All the Stones That Built Me by Somto Ihezue

In this house are things:
a boy, a lantern,
dead mice, silverware,
running water, screams.

There is filth in this house,
and there is a mop,
and the filth is mop,
and the mop is filth.
And there is me: mop and filth.

This house is a broken Louvre.
In it, I do not have a face,
only a coinโ€‰...โ€‰on the floorโ€‰...โ€‰
In its shimmerโ€”ghosts pushing me off the roof,
daring me to fly.

And the bedroom?
We sleep when we are dead.
The kitchen?
In this house, we break not bread but stones and promises.
How long have you died here?

My mother lived in this house when I lived in her.
She was many a thing:
a girl, a dark room, scurrying mice,
rust, dripping water, silence,
and at the end, the last spoonful of canned beans.
They collect, dancing on the ceiling, the memories.
They cry, they howl,
they put a bounty out on me.

How do I quell the place that built me?
Set fire to all your bones.

There is no dreaming in this house.
I want to dream that I was old.

Source: Poetry (April 2022)


Live Virtual Group Session: 12PM EDT June 8th 2022

Thank you to everyone who joined us for this session!

For this session we took a close look at the painting The Masterpiece by Norval Morrisseau, posted below. 

Our prompt was: โ€œComplete the sentence – When I behold the world, my inner eye sees _________.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday June 13th at 6pm EDT, with more times listed on our Live Virtual Group Sessions page.


The Masterpiece by Norval Morrisseau

Copyright: Estate of Norval Morrisseau


Live Virtual Group Session: 6PM EDT June 6th 2022

Thank you to everyone who joined us for this session!

For this session we read a poem Things Haunt by Joshua Jennifer Espinoza, posted below. 

Our prompt was: โ€œWrite about whatโ€™s in the mirrorโ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Wednesday June 8th at 12pm EDT, with more times listed on our Live Virtual Group Sessions page.


Things Haunt by Joshua Jennifer Espinoza

California is a desert and I am a woman inside it.
The road ahead bends sideways and I lurch within myself.
Iโ€™m full of ugly feelings, awful thoughts, bad dreams
of doom, and so much love left unspoken.

Is mercury in retrograde? someone asks.
Someone answers, No, itโ€™s something else
like that though. Something else like that.
That should be my name.

When you ask me am I really a woman, a human being,
a coherent identity, Iโ€™ll say No, Iโ€™m something else
like that though.

A true citizen of planet earth closes their eyes
and says what they are before the mirror.
A good person gives and asks for nothing in return.
I give and I ask for only one thingโ€”

Hear me. Hear me. Hear me. Hear me. Hear me.
Hear me. Bear the weight of my voice and donโ€™t forgetโ€”
things haunt. Things exist long after they are killed.

Copyright ยฉ 2018 by Joshua Jennifer Espinoza. Originally published in Poem-a-Day on December 11, 2018, by the Academy of American Poets.


Encuentros virtuales en vivo: Sรกbado 4 de Junio, 13:00 EDT

Nos acompaรฑaran seis participantes desde Nueva York, Espaรฑa, Argentina, y California.

El texto que escogimos para hoy fue una escena de la pelรญcula โ€œDespedidasโ€ pelรญcula del 2008 dirijida por Yรดjirรด Takita en el 2009 gano el Oscar por Mejor Pelรญcula en Lengua Extranjera del Aรฑo. Vimos la escena una vez por lo que duro un poco mรกs de cinco minutos.

Lo primero que se noto fue que la escena nos da tantos mensajes. Hablamos de las diferencias en las culturas, sobre todo entre el Japรณn y los paรญses en Latino Amรฉrica. Es una falta de respeto llegar tarde, especialmente porque el amortajador es un trabajo que no se respeta en el Japรณn.

Tambiรฉn se observรณ como preparan los cadรกveres. En la pelรญcula podemos ver que en el Japรณn se prepara el cadรกver al frente de la familia, para que sean parte del proceso. Podemos ver como el esposo pasa por muchas emocionesโ€”impaciencia, rabia, y dolor. Al final el esposo โ€œveโ€ a su esposa, tal vez por primera vez, pero ya su esposa estรก muerta; ya es muy tarde. El esposo le dijo al amortajador que su esposa nunca se habรญa visto tan hermosa.

Varias participantes dijeron que en los ojos de los actores se veรญa como ellos se transformaron al ver como el amortajador trata el cadรกver; la reacciรณn de la gente presente para el entorno. Le deja a uno imaginar como seria esa experiencia para uno. Al ver la reverencia con que el cual el amortajador trata el cadรกver, un participante noto, โ€œยฟCuรกntos respetamos a los vivos?โ€

El esposo estaba sin emociรณn hasta el final. ร‰l pudo enfocar su dolor hacia el trabajador porque era mรกs fรกcil que procesar sus sentimientos. Lloro al final porque al fin vio a su esposa linda como era y porque pudo ver el valor del trabajo del amortajador.

La propuesta de escritura fue โ€œEscribe sobre un momento sagradoโ€. Alguien escribiรณ de las cosas y experiencias sagradas desde la niรฑez, en la vida, y en el mundo. Otra persona escribiรณ sobre una experiencia personal. Y aรบn otra persona escribiรณ sobre un consultorio sagrado. Todas las respuestas fueron variadas y en la sombra del texto.

Aquรญ, ahora alentamos a los participantes que si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre la escena de la pelรญcula de Yรดjirรด Takita. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.


Despedidasโ€ pelรญcula del 2008 dirijida por Yรดjirรด Takita


Live Virtual Group Session: 12PM EDT June 3rd 2022

Thank you to everyone who joined us for this session!

For this session we read a poem A Eulogy by Tania De Rozario, posted below. 

Our prompt was: โ€œFor everyoneโ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday June 6th at 6pm EDT, with more times listed on our Live Virtual Group Sessions page.


A Eulogy by Tania De Rozario

for everyone poked so full
of holes, their own voice passes
through them, history escaping
the body in a series of echoes.
 
for everyone distilled into colour
of skin, choice of pronoun, place
of origin, length of hair, years, skirt,
name, limbs, medical record.
 
for everyone made to believe
that the petals of persecution
have blossomed from the buds
of their own paranoia.
 
for everyone passed over in favour
of a name that seemed easier
to pronounce,  was less of an assault
to someone elseโ€™s comfort.
 
for everyone accused of prolonged
adolescence, scars on their arms
marking time like a calendar, body
taking itself into its own hands.
 
for everyone blamed
for the stare, grope, catcall, assault
that cut like glass into flesh as if
they had asked to be broken.
 
for everyone deceived
into dreaming, everyone who left home
and family to provide home
and family, returning with nothing.
 
for everyone pumped
so full of doctrine, the guilt which ate
into their bones made them believe
breaking them was the only way out.

Live Virtual Group Session: 12PM EDT May 27th 2022

Thank you to everyone who joined us for this session!

For this session we read a scene from the screenplay Awakenings, by Steven Zaillian, based on the book by Oliver Sacks posted below.ย 

Our prompt was: โ€œWhere does the conversation go from here?โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday June 3rd at 12pm EDT,  with more times listed on our Live Virtual Group Sessions page.


Awakenings, by Steven Zaillian

INT. LEONARDโ€™S DAYROOM โ€“ NIGHT
Leonard, alone at a table with a book. He glances up as Sayer sits opposite him, then down again at the book. 
		LEONARD	I canโ€™t read anymore. The 
	words are written too slow. 
	I keep going back to the 
	beginning, to the beginning, 
	and trying... 

He turns back to the beginning, tries again, his eyes moving too quickly across the lines, โ€œaheadโ€ of the words. His hands and head begin shaking out of control and itโ€™s all he can do to close the book. 

LEONARD	
           Iโ€™ve let the others down. 

SAYER 
           You have not.

LEONARD 
           Iโ€™ve let you down. 

SAYER 
           You have not. 

LEONARD	
           Iโ€™m grotesque... grotesque... grotesque... 

SAYER	
           Leonard, I wonโ€™t sit here 
           and listen to you talk about 
           yourself like this -- 

LEONARD 
           Look at me.
 
He is a man consumed by illness. With a voice that is flat and limbs that are bent and hands that are twisted and a grimace that can only hint at the great depth of the despair he is suffering. 

LEONARD	
           Look at me and tell me I am not. 

SAYER 
           You are not. 

Itโ€™s over and Leonard knows it. And though he wonโ€™t admit it, so does Sayer. Leonard barely gets the words out -- 

LEONARD 
           This... isnโ€™t... me. 

Hollywood Scripts, 1989.


Live Virtual Group Session: 6PM EDT May 23rd 2022

Thank you to everyone who joined us for this session!

For this session we a read a short story The short arm of chromosome 4 by Frank Huyler, posted below. 

Our prompt was: โ€œSuddenly it was clear —โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday May 27th at 12pm EDT,  with more times listed on our Live Virtual Group Sessions page.


The Blood of Strangers. Stories From Emergency Medicine. An Owl Book. Henry Holt and Company | New York 1999.

Short Story The short arm of chromosome 4 by Frank Huyler


Live Virtual Group Session: 12PM EDT May 20th 2022

Thank you to everyone who joined us for this session!

For this session we read a poem The Rolling Saint by Aimee Nezhukumatathil, posted below. 

Our prompt was: โ€œWrite about a time you kept going.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday May 23rd at 6pm EDT,  with more times listed on our Live Virtual Group Sessions page.


The Rolling Saint by Aimee Nezhukumatathil

Lotan Baba, a holy man from India, rolled on his side forย ย ย ย ย ย ย ย ย ย ย  
        four thousand kilometers across the country in his quest forย ย ย ย ย ย ย ย ย ย ย  
        world peace and eternal salvation. ย                 

 ย โ€”Reuters
                                                                            
He started small: fasting here and there,
days, then weeks. Once, he stood under
a banyan tree for a full seven years, sitting
ย ย ย ย ย ย ย ย ย ย ย  for nothingโ€”not even to sleep. It came
ย ย ย ย ย ย ย ย ย ย ย  to him in a dream:ย You must roll
ย ย ย ย ย ย ย ย ย ย ย  on this earth, spin your heart in rain,
ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  desert, dust.ย At sunrise heโ€™d stretch, swab
ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  any cuts from the day before, and lay prone
ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  on the road while his twelve men swept
ย ย ย ย ย ย ย ย ย ย ย  the ground in front of him with sisal brooms.
ย ย ย ย ย ย ย ย ย ย ย  Even monkeys stopped and stared at this man
ย ย ย ย ย ย ย ย ย ย ย  rolling through puddles, past storefronts
where children would throw him pieces
of butter candy heโ€™d try and catch
in his mouth at each rotation. His men
ย ย ย ย ย ย ย ย ย ย ย  swept and sang, swept and sang
ย ย ย ย ย ย ย ย ย ย ย  of jasmine-throated angels
ย ย ย ย ย ย ย ย ย ย ย  and pineapple slices in kulfi cream.
ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  He rolled and rolled. Sometimes
ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  in his dizzying spins, he thought
ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย ย  he heard God. A whisper, but still.

Source:ย Miracle Fruitย (Tupelo Press, 2003)