Live Virtual Group Session: 12PM EST March 8th 2024

Thank you to everyone who joined us for this session!

For this session we read a short story The Visitor” by Lydia Davis, posted below.

Our prompt was: โ€œWrite about an unspoken social contract.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday March 11th at 6pm EDT, with more times listed on our Live Virtual Group Sessions.


The Visitor by Lydia Davis

Sometime in the early summer, a stranger will come and take up residence in our house.ย  Although we have not met him, we know he will be bald, incontinent, speechless, and nearly completely unable to help himself.ย  We donโ€™t know exactly how long he will stay, relying entirely on us for food, clothing, and shelter.
Our situation reminds me that a leathery-skinned old Indian gentleman once spent several months with my sister in London.ย  At first he slept in a tent in her back yard. Then he moved into the house.ย  Here he made it his project to rearrange the many books in the house, which were in no particular order.ย  He decided upon categoriesโ€”mystery, history, fictionโ€”and surrounded himself with clouds of smoke from his cigarettes as he worked.ย  He explained his system in correct but halting English to anyone who came into the room.ย  Several years later he died suddenly and painfully in a London hospital.ย  For religious reasons, he had refused all treatment.

This Indian visitor of my sisterโ€™s also reminds me of another old manโ€”the very old father of a friend of mine.ย  He had once been a professor of economics.ย  He was old and deaf even when my friend was a child.ย  Later he could not contain his urine, laughed wildly and soundlessly during his daughterโ€™s wedding, and when asked to say a few words rose trembling and spoke about Communism.ย  This man is now in a nursing home.ย  My friend says he is smaller every year.

Like my friendโ€™s father, our visitor will have to be bathed by us, and will not use the toilet.ย  We have appointed a small, sunny room for him next to ours, where we will be able to hear him if he needs help during the night.ย  Some day, he may repay us for all the trouble we will go to, but we donโ€™t really expect it.ย  Although we have not yet met him, he is one of the few people in the world for whom we would willingly sacrifice almost anything.

Credit: Lydia Davis Collection of stories Canโ€™t and Wonโ€™t (Farrar, Straus & Giroux, 2014).

Live Virtual Group Session: 12PM EST March 1st 2024

Thank you to everyone who joined us for this session!

For this session we took a close look at I thought the streets were paved with gold, 1991″ by Pacita Abad, posted below.

Our prompt was: โ€œWrite about an imaginary place of abundant riches.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday March 8th at 12pm EST, with more times listed on our Live Virtual Group Sessions.


I thought the streets were paved with gold, 1991 by Pacitaย Abad

Credit: Pacita Abad


Live Virtual Group Session: 6PM EST February 26th 2024

Thank you to everyone who joined us for this session!

For this session we read an excerpt from the memoir Stay True” by Hua Hsu, posted below.

Our prompt was: โ€œWhen the needle skippedโ€ฆโ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday March 1st at 12pm EST, with more times listed on our Live Virtual Group Sessions.


An excerpt from the memoir "Stay True" by Hua Hsu.

You make a world out of the things you buy. Everything you
pick up is a potential gateway, a tiny, cosmetic change that
might blossom into an entirely new you. A bold shirt around
which you base a new personality, an angular coffee table that
might reboot your whole environment, that one enormous
novel that all the fashionable English majors carry around. You
buy things to communicate affiliation to a small tribe, hopeful
youโ€™ll encounter the only other person in line buying the same
obscure things as you. Maybe I, too, will become the kind of
person who has books like Infinite Jest casually strewn on his
cool, angular coffee table. Maybe Iโ€™ll become the kind of per-
son who seems as if he should have that book but choose not
to. I spent hours at Amoeba Music, walking back and forth in
the same few sections (โ€œRock,โ€ โ€œIndieโ€). There was an entire
other wing devoted to jazz and something called world music;
I looked forward to one day becoming the type of person who
understood these genres and, by extension the world. One day,
I bought a jungle 12-inch based purely on a description Iโ€™d read
in a magazine. At first, I thought the record was defective, since
it was nothing but jittery drums and a bass line that kept mak-
ing the needle skip, Where was the rest of the song? But then I
realized it was supposed to sound this way, that this bass line was
a portal to somewhere new, and I couldnโ€™t wait to hear more. I
started picking up rave flyers at coffee shops and record stores.
It was electrifying to think about how much more music there
was in the world left to hear.

Credit: Hua Hsu

Live Virtual Group Session: 12PM EST February 23rd 2024

Thank you to everyone who joined us for this session!

For this session we read We Are All in the Dumps with Jack and Guy: Two Nursery Rhymes with Pictures” by Maurice Sendak, posted below.

Our prompt was: โ€œ Write about a home without walls.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday February 26th at 6pm EST, with more times listed on our Live Virtual Group Sessions.


We Are All in the Dumps with Jack and Guy: Two Nursery Rhymes with Pictures” by Maurice Sendak

Credit: Maurice Sendak


Live Virtual Group Session: 6PM EST February 12th 2024

Thank you to everyone who joined us for this session!

For this session we read a poem “By the Boulder Cluster the Wind” by A. R. Ammons, posted below.

Our prompt was: โ€œI am shaped byโ€ฆโ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday February 23rd at 12pm EST, with more times listed on our Live Virtual Group Sessions.


By the Boulder Cluster the Wind by A. R. Ammons

By the boulder cluster the wind
struck up a dust-ghost,
A brothering shade and shadow,
And oh I said
that I could live lively as you
and have
no more to die

and the ghost tore
into a shackling shrub
and failed like sleet,
returning
shapeโ€™s interference
to clearing


The dust rearranging
to a new breeze
I gave up
the intermediate
paradise
and said so
all things do misty arisings
mistily depart,
shingling down
the rills and ruffles
of nothing-in-between.

Ammons, A. R. โ€œBy the Boulder Cluster the Wind.โ€
The Hudson Review, vol. 30, no. 3, 1977, pp. 371โ€“371.


Encuentros virtuales en vivo: Sรกbado 10 de febrero 2024, 13:00 EST

SESIร“N MEDICINA NARRATIVA 10 de febrero de 2024

Asistimos 7 personas, de Nueva York, California, Mississippi, Tenerife (Espaรฑa), Argentina, y Mississippi. 

Trabajamos la pintura โ€œEducaciรณn Medicaโ€, del Dr. David Pizzimenti

El primer comentario fue que era hermosa y compleja. Se noto el sรญmbolo de la medicina, los moribundos, las factorรญas (sรญmbolos de industria), el libro a donde esta las respuestas de todo (de pronto). Entra a la ciencia, la salud, la financia, y comercio. Tambiรฉn hay un cristo crucificado. Se recuerda a murales mexicanos. 

Otra participante comento que la pintura es muy compleja. Encontramos un โ€œ100โ€, el sรญmbolo de dinero, un feto, un recordatorio/el ciclo de la vida y la muerta (los puntos de la vida), el caballo, la condiciรณn primitiva, la condiciรณn fabril, el Don Quijote, la cruz es como la salvaciรณn. Los que tienen caras son los sufrientes. Se ve la lucha sobre la vida humana.

A otra persona le recordรณ al cuadro de Guernica de Picasso. Se lee diferente si uno lo lee de arriba a abajo o de la izquierda a la derecha. Y dependiendo de quรฉ lado lo miras, toma notar el embudo. Aรบn otra participante pregunto quรฉ significa las letras en los tornillos. 

Le dimos la sorpresa de tener el pintor del cuadro en el taller. ร‰l nos contestรณ las preguntas y explicรณ su inspiraciรณn detrรกs de la pintura. Fue un placer especial tener al autor del texto con nosotros.

Escribimos con la propuesta: โ€œEscribe sobre un encuentro con un extraรฑo. En nuestros textos se hablรณ de cuando uno se vuelve un extraรฑo a uno mismo; de tratar a los extraรฑos como si no lo fueranโ€”el reconocimiento del otro; de un reconocido que se volviรณ extraรฑo; de conocer al mรฉdico que salvo la vida de una paciente desconocida; de (re)conocer a alguien extraรฑo pero vestido igual.

Aquรญ, ahora alentamos a los participantes que, si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre la pintura โ€œEducaciรณn Mรฉdicaโ€, de Dr. David Pizzimenti. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: El sรกbado 9 marzo a las 13 hrs. o a la 1 pm EST. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve a nuestra pรกgina de sesiones grupales virtuales.

ยกEsperamos verte pronto!


“Educaciรณn Mรฉdica por David Pizzimenti, MD.

Credit: David Pizzimenti


Live Virtual Group Session: 12PM EST February 9th 2024

Thank you to everyone who joined us for this session!

For this session we read a book chapter titled “I’m Losing My Patients ” by Hilton Koppe from One Curious Doctor, posted below.

Our prompt was: โ€œWrite about the gift of knowing we are mortal.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday February 12th at 6pm EST, with more times listed on our Live Virtual Group Sessions.


Iโ€™m Losing My Patients by Hiltonย Koppe from One Curious Doctor

The blank death certificate sits in front of me. No matter where a life starts, where it ventures,
the Medical Certificate of Death is the concluding punctuation mark on a personโ€™s medical
narrative.
I approach the completion of the death certificate with reverence. My final task in the care of
a patient. A moment to pause. Reflect. Say goodbye. To honour their life within the rigid confines
of a bureaucratic document.
This ritual is becoming increasingly frequent.
My patients have been growing older with me. Despite medicineโ€™s advances and my best
efforts, they are dying. It is their time. Iโ€™m losing my patients.
Just last month, I lost three. Lilly, my oldest patient, was an elegant matriarch. Each of her
frequent visits ended with her gently touching my arm and saying, โ€œBless you, Hiltonโ€. I had cared
for her husband Don before his death. Now it was Lillyโ€™s turn. Her heart was failing. โ€œI hope that
one night I will go to sleep and wake up dead. Just like Don did.โ€ Her wish came true a few days
ago. Whoโ€™s going to bless me now?
Len had been a child throughout Germanyโ€™s bombing of London. I had once ruined his
Christmas by sending him to hospital to have a heart pacemaker inserted. He would have died
without it. He wasnโ€™t ready for that. The pacemaker kept him going for another decade. Not
always easy years. But โ€œbetter than the alternativeโ€, as he often said. Len was a poet. Each visit
to me was accompanied by the gift of a poem, โ€œFrom when the muse was upon meโ€. The last
time I saw him he told me he was feeling better than he had for years. Another gift. He woke up
dead the following week.
Joe had been a postman during the times when delivering the mail included many a garden
path conversation. Even as his dementia progressed, Joe still enjoyed animated conversations. I
loved how his disconnection with the present transported us to a simpler time. Until that gift too
was snuffed out by dementiaโ€™s relentless march.
I finish writing the death certificate. I pause and offer gratitude for the blessings, the poems,
the conversations and all the other gifts my patients have shared with me, and I walk out to greet
my next patient. The waiting room is full. Many familiar faces look my way.
I am troubled by a nagging thought, a persistent pestering question. Who will be next?


Credit: Hilton Koppe

Live Virtual Group Session: 6PM EST February 5th 2024

Thank you to everyone who joined us for this session!

For this session we read a poem “I See My Bones In No Other ” by Liz Quirke from The Road, Slowly, posted below.

Our prompt was: โ€œWrite about your people.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday February 9th at 12pm EST, with more times listed on our Live Virtual Group Sessions.


Iย Seeย My Bones In No Other by Liz Quirke from The Road, Slowly

Credit: Liz Quirke


Live Virtual Group Session: 12PM EST February 2nd 2024

Thank you to everyone who joined us for this session!

For this session we read a poem Destruction” by Joanne Kyger from A Book of Luminous Things, Czeslaw Milosz, Editor, posted below.

Our prompt was: โ€œWrite about going through it.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday February 5th at 6pm EST, with more times listed on our Live Virtual Group Sessions.

"Destruction" by Joanneย Kyger from A Book of Luminous Things, Czeslawย Milosz, Editor

First of all do you remember the way a bear goes through
a cabin when nobody is home? He goes through
the front door. I mean he really goes through it. Then
he takes the cupboard off the wall and eats a can of lard.

He eats all the apples, limes, dates, bottled decaffeinated
coffee, and 35 pounds of granola. The asparagus soup cans
fall to the floor. Yum! He chomps up Norwegian crackers
stashed for the winter. And the bouillon, salt, pepper,
paprika, garlic, onions, potatoes.

โ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒHe rips the Green Tara
poster from the wall. Tries the Coleman Mustard. Spillsย 
the ink, tracks in the flour. Goes up stairs and takes
a shit. Rips open the water bed, eats the incense and
drinks the perfume. Knocks over the Japanese tansu
and the Persian miniature of a man on horseback watching
a woman bathing.

โ€ƒโ€ƒโ€ƒโ€ƒKnocks Shelter, Whole Earth Catalouge,
Planet Drum, Northern Mists, Truck Tracks, and
Womenโ€™s Sports into the oozing water bed mess.
โ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€‚He goes
down stairs and out the back wall. He keeps on going
for a long way and finds a good cave to sleep it all off.
Luckily he ate the whole medicine cabinet, including stash
of LSD, Peyote, Psilocybin, Amanita, Benzedrine, Valium
and aspirin.

Credit: Milosz, Czeslaw, ed. A Book of Luminous Things (1997). Harcourt, Brace & Company.

Live Virtual Group Session: 12PM EST January 26th 2024

Thank you to everyone who joined us for this session!

For this session we read a poem “The Earth” by Sheila Black, posted below.

Our prompt was:ย โ€œWrite aboutย a momentย of unexpectedย connection.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday February 2nd at 12pm EST, with more times listed on ourย Live Virtual Group Sessions.


"The Earth" by Sheila Black

What can I tell her over breakfast when she says
her son suffers from madness, and because there
is no mental health, he has ended up in jail,
and she is relieved, because at least he might
be safe there or he might get to see the doctor.
We are eating egg-white omelets; we are counting
carbs. We are buttoning ourselves in our clean dresses
and high-heeled shoes in order to bring home the bacon,
doing what we need to do and โ€œIt is what it is.โ€
Her granddaughter and daughter are living with her
in the one bedroom. Nights, the daughter lounges by
the pool, looking at her phone, while she teaches the child
to plant seeds in a flower bed she feels bad she does not own.
She tells she cried in the car coming here; she did not know
me then. She thought we would be talking to each other
the whole time about what we are selling, what
the other might buy, but somehow we left that behind
over the toast with the tiny pots of strawberry jam.
Who can explain all this luxury, all this despair?
Or how we all hold our secret shames so close
and gloss our lips with โ€œCinnamon Fireโ€ as if that were
some legitimate form of protection. Cinnamon Fire!
She just turned fifty. I tell her wait ten yearsโ€”you
wonโ€™t know more, but you will get closer to forgiving,
because it is all happening on a wheel that spins
so fast. Why not stop to look at the pink flowers
youโ€™ve planted with your granddaughter? Why not feel
your bare toes in the good wet earth? We play with the crusts
on our plates. The waitress takes the coffee away. We
are strangers again, each carrying our lonely fear
our children wonโ€™t find their way, wishing for them
some inner logicโ€”sacred trust of earth and self, that exists
for each of us so far within, so far under the skin, we
canโ€™t even begin to say what it is made of; it merely is,
poised between love and grief: the blue space we call wonder,
which is merely the dew on the grass, the shadow the sun
makes as it rolls over the vast skin of the Earth.

Copyright ยฉ 2023 by Sheila Black. Originally published in Poem-a-Day on July 28, 2023, by the Academy of American Poets.