Live Virtual Group Session: 12PM EST January 26th 2024

Thank you to everyone who joined us for this session!

For this session we read a poem “The Earth” by Sheila Black, posted below.

Our prompt was:ย โ€œWrite aboutย a momentย of unexpectedย connection.โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday February 2nd at 12pm EST, with more times listed on ourย Live Virtual Group Sessions.


"The Earth" by Sheila Black

What can I tell her over breakfast when she says
her son suffers from madness, and because there
is no mental health, he has ended up in jail,
and she is relieved, because at least he might
be safe there or he might get to see the doctor.
We are eating egg-white omelets; we are counting
carbs. We are buttoning ourselves in our clean dresses
and high-heeled shoes in order to bring home the bacon,
doing what we need to do and โ€œIt is what it is.โ€
Her granddaughter and daughter are living with her
in the one bedroom. Nights, the daughter lounges by
the pool, looking at her phone, while she teaches the child
to plant seeds in a flower bed she feels bad she does not own.
She tells she cried in the car coming here; she did not know
me then. She thought we would be talking to each other
the whole time about what we are selling, what
the other might buy, but somehow we left that behind
over the toast with the tiny pots of strawberry jam.
Who can explain all this luxury, all this despair?
Or how we all hold our secret shames so close
and gloss our lips with โ€œCinnamon Fireโ€ as if that were
some legitimate form of protection. Cinnamon Fire!
She just turned fifty. I tell her wait ten yearsโ€”you
wonโ€™t know more, but you will get closer to forgiving,
because it is all happening on a wheel that spins
so fast. Why not stop to look at the pink flowers
youโ€™ve planted with your granddaughter? Why not feel
your bare toes in the good wet earth? We play with the crusts
on our plates. The waitress takes the coffee away. We
are strangers again, each carrying our lonely fear
our children wonโ€™t find their way, wishing for them
some inner logicโ€”sacred trust of earth and self, that exists
for each of us so far within, so far under the skin, we
canโ€™t even begin to say what it is made of; it merely is,
poised between love and grief: the blue space we call wonder,
which is merely the dew on the grass, the shadow the sun
makes as it rolls over the vast skin of the Earth.

Copyright ยฉ 2023 by Sheila Black. Originally published in Poem-a-Day on July 28, 2023, by the Academy of American Poets.

Encuentros virtuales en vivo: Sรกbado 20 de enero 2024, 13:00 EST

Asistimos 6 personas, de Nueva York, California, Tenerife (Espaรฑa) y Argentina. 

Leรญmos y trabajamos โ€œEl Marโ€, de Ana Marรญa Matute del libro Los niรฑos tontos

Se comentรณ sobre el cambio de la perspectiva del narrador, que al principio juzga al protagonista (externo) y luego se pone dentro del niรฑo (interno). Al principio tiene pena del niรฑo y al final parece tener pena de los adultos. Uno de los participantes vio en el texto una gran metรกfora sobre la muerte. Otra participante notรณ que se repiten imรกgenes: las orejas al principio estรกn de espaldas a la ventana, el niรฑo no estรก pendiente del exterior.  Y luego vuelven a aparecer las orejas. Tambiรฉn se habla dos veces de la caracola, el sonido. Y al final oye voces lejanas.

Es un texto complejo, que deja mucho para pensar. Se sugiriรณ que si cambiamos la palabra โ€œmarโ€ por โ€œmuerteโ€ el texto cobra mucho mรกs sentido. Comentamos cรณmo la visiรณn de los demรกs nos ayuda a comprender el texto de una forma diferente. 

Otro asistente mencionรณ que las โ€œorejas grandesโ€ podrรญan significar un niรฑo con una gran curiosidad, sin miedo a la vida y no la perspectiva de solamente un defecto fรญsico.

Escribimos con la propuesta: โ€œEscribe sobre un momento en el que tu perspectiva cambiรณโ€. En nuestros textos se hablรณ de momentos en que cambiamos de ser (de mรฉdico a paciente) y como eso permitiรณ aceptar que cada uno ve la vida de una manera diferente. Tambiรฉn el modo en que los cambios de perspectiva permiten engrandecer nuestra visiรณn del mundo. Se comentรณ la ventaja de hablar de ampliar la perspectiva en lugar de cambiarla. Tambiรฉn se cuestionรณ el propio tรฉrmino de perspectiva desde una perspectiva ampliada. Se escribiรณ bajo la sombra del texto sobre el miedo, el mar como anhelo y la niรฑez. Escribimos sobre las personas que nos han hecho pensar diferente. Escribimos sobre esos momentos en que la vida cambia y entonces cambia toda la visiรณn sobre la vida. Una compaรฑera nos recordรณ que todo texto es autobiogrรกfico, parafraseando a Borges.

Aquรญ, ahora alentamos a los participantes que, si asรญ lo desean, compartan lo que escribieron a continuaciรณn. Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre el cuento โ€œEl Marโ€, de Ana Marรญa Matute. Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: El sรกbado 10 febrero a las 13 hrs. o a la 1 pm EST. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve a nuestra pรกgina de sesiones grupales virtuales.


EL MAR (Libro: Los niรฑos tontos) por Ana Marรญa Matute

Pobre niรฑo. Tenรญa las orejas muy grandes, y, cuando se ponรญa de espaldas a la ventana, se volvรญan encarnadas. Pobre niรฑo, estaba doblado, amarillo. Vino el hombre que curaba, detrรกs de sus gafas. ยซEl mar -dijo-; el mar, el marยป. Todo el mundo empezรณ a hacer maletas y a hablar del mar. Tenรญan una prisa muy grande. El niรฑo se figurรณ que el mar era como estar dentro de una caracola grandรญsima, llena de rumores, cรกnticos, voces que gritaban muy lejos, con un largo eco. Creรญa que el mar era alto y verde.

Pero cuando llegรณ al mar se quedรณ parado. Su piel, ยกquรฉ extraรฑa era allรญ! ยซMadre -dijo, porque sentรญa vergรผenza-, quiero ver hasta dรณnde me llega el marยป.

ร‰l, que creyรณ el mar alto y verde, lo veรญa blanco, como el borde de la cerveza, cosquilleรกndole, frรญo, la punta de los pies.

ยซยกVoy a ver hasta dรณnde me llega el mar!ยป. Y anduvo, anduvo, anduvo. El mar, ยกquรฉ cosa rara!, crecรญa, se volvรญa azul, violeta. Le llegรณ a las rodillas. Luego, a la cintura, al pecho, a los labios, a los ojos. Entonces, le entrรณ en las orejas el eco largo, las voces que llaman lejos. Y en los ojos, todo el color. ยกAh, sรญ, por fin, el mar era de verdad! Era una grande, inmensa caracola. El mar, verdaderamente, era alto y verde.

Pero los de la orilla no entendรญan nada de nada. Encima, se ponรญan a llorar a gritos, y decรญan: ยซยกQuรฉ desgracia! ยกSeรฑor, quรฉ gran desgracia!ยป.

Live Virtual Group Session: 12PM EST January 19th 2024

Thank you to everyone who joined us for this session!

For this session we took a close look at Never One Thing ” by May Erlewine, posted below.

Our prompt was: โ€œStart with โ€˜I am…โ€™โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday January 26th at 12pm EST, with more times listed on our Live Virtual Group Sessions.


Lyrics : Never One Thing. By May Erlewine


I'm the underbelly, I am the claw
Never one thing no, not one thing at all
I'm a street fighter, I'm a prayer for peace
I'm a holy roller, I'm a honey bee

I am the truth, I am a lie
I am the ground, I am the sky
I am the silence, I am the call
Never one thing no, not one thing at all

I'm the underbelly, I am the claw
Never one thing no, not one thing at all
I'm a street fighter, I'm a prayer for peace
I'm a holy roller, I'm a honey bee

I am hope, I am defeat
I am broken, I am complete
I am the grace, I am the fall
Never one thing no, not one thing at all

I'm the underbelly, I am the claw
Never one thing no, not one thing at all
I'm a street fighter, I'm a prayer for peace
I'm a holy roller, I'm a honey bee

I am the beggar, I am the queen
I am the end, I am the means
I am the hammer, I am the wall
Never one thing no, not one thing at all

I'm the underbelly, I am the claw
Never one thing no, not one thing at all
I'm a street fighter, I'm a prayer for peace
I'm a holy roller, I'm a honey bee

I am a victor, I am the loss
I am a profit, I am the cost
I am the salve, I am the sting
Never, no never, no never one thing

I'm the underbelly, I am the claw
Never one thing no, not one thing at all
I'm a street fighter, I'm a prayer for peace
I'm a holy roller, I'm a honey bee

I am a mother, I am the child
I am the meek, I am the wild
I am the witch, I am the saint
I am alive, never one thing

I'm the underbelly, I am the claw
Never one thing no, not one thing at all
I'm a street fighter, I'm a prayer for peace
I'm a holy roller, I'm a honey bee

I am the lion, I am the swan
I am the bull, I am the fawn
I am a woman, I am the ring
I am my own, never one thing

I'm the underbelly, I am the claw
Never one thing no, not one thing at all
I'm a street fighter, I'm a prayer for peace
I'm a holy roller, I'm a honey bee

Source: Musixmatch
Songwriters: Tyler Andrew Duncan

Live Virtual Group Session: 12PM EST January 12th 2024

Thank you to everyone who joined us for this session!

For this session we took a close look at the painting Resurgence of the People” by Kent Monkman, posted below.

Our prompt was: โ€œStart with ‘A community is..’โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday January 19th at 12pm EST, with more times listed on our Live Virtual Group Sessions.


Resurgence of the People” by Kent Monkman

Kent Monkman (Cree, b. 1965). Resurgence of the People, 2019. Acrylic on canvas, 132 x 264 in. (335.28 x 670.6 cm).

The Metropolitan Museum of Art, New York, Purchase, Donald R. Sobey Foundation CAF Canada Project Gift, 2020. Image courtesy of the artist


Live Virtual Group Session: 6PM EST January 8th 2024

Thank you to everyone who joined us for this session!

For this session we read a poem Variation on the Word Sleep” by Margaret Atwood, posted below.

Our prompt was: โ€œWhen I/you sleep…โ€

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday January 12th at 12pm EST, with more times listed on our Live Virtual Group Sessions.


Variation on the Word Sleep” by Margaret Atwood

I would like to watch you sleeping, 
which may not happen.
I would like to watch you, 
sleeping. I would like to sleep 
with you, to enter 
your sleep as its smooth dark wave 
slides over my head

and walk with you through that lucent 
wavering forest of bluegreen leaves 
with its watery sun & three moons 
towards the cave where you must descend, 
towards your worst fear

I would like to give you the silver 
branch, the small white flower, the one 
word that will protect you 
from the grief at the center 
of your dream, from the grief 
at the center. I would like to follow 
you up the long stairway 
again & become
the boat that would row you back
carefully, a flame
in two cupped hands 
to where your body lies 
beside me, and you enter 
it as easily as breathing in

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.

From Selected Poems II: 1976-1986 by Margaret Atwood. Copyright ยฉ 1987 by Margaret Atwood.