Live Virtual Group Session: 6PM EDT September 18th 2023

Thank you to everyone who joined us for this session!

For this session we read a poem “Love After Love ” by Derek Walcott, posted below.

Our prompt was: โ€œWrite about finding yourself (again).โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday October 6th at 12pm EDT, with more times listed on ourย Live Virtual Group Sessions.


“Love After Love ” by Derek Walcott

The time will come
when, with elation,
you will greet yourself arriving
at your own door, in your own mirror,
and each will smile at the otherโ€™s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

credit: all poetry.com


Encuentros virtuales en vivo: Sรกbado 16 de septiembre, 13:00 EDT

El enfoque de esta sesiรณn es la pintura โ€œLos Mรบsicosโ€, de Fernando Botero, pintor colombiano.

Cinco participantes se reunieron desde Espaรฑa, Argentina, y EEUU.

Elegimos esta pintura porque Fernando Botero muriรณ el 15 de septiembre. Lo primero que se nota es que al pintor siempre le gustรณ el gran volumen y que aquรญ hay uniformidad del color. Los mรบsicos se parecen tanto que parecen parientes. Siempre este pintor elige pintar cuerpos grandes. Como eligiรณ pintar las personas, son mรกs importantes los cuerpos que los instrumentos. Las cerraduras son demasiadas pequeรฑas para salir sonido. La chica es bajita y hay un seรฑor aรบn mรกs bajito. Los instrumentos ocultan unos de los cuerpos. Parece una orquestra de pueblo, pero tienen instrumentos de viento complejos (como el que parece un fagot).

Un participante pregunto ยฟporque hay un pรกjaro y una fruta? ยฟPorque pintar las personas tan realistas pero los instrumentos cรณmicos? El contraste del volumen de los cuerpos y de los agujeros diminutos de los instrumentos; la mรบsica no podrรญa salir.

Alguien mencionรณ que no hay espacio ni aire entre los cuerpos ni los instrumentos. En varias entrevistas el pintor dijo que รฉl no pintaba figuras voluminosas. ร‰l se referรญa a sus obras como โ€œformas realistasโ€ y que el arte debe dar placer. 

La propuesta de escritura fue, โ€œEscribe sobre aquella mรบsicaโ€. Las escrituras cubrieron recuerdos de tango y niรฑez, un recuerdo que inicio para un participante la escritura de un soneto, momentos bellos y reflexivos de niรฑez, y lo esencial que es la mรบsica para otra participante.

Aquรญ, ahora alentamos a los participantes que, si asรญ lo desean, compartan lo que escribieron a continuaciรณn.ย Deja tu respuesta aquรญ, si deseas continuar la conversaciรณn sobre la pinturaย deย Fernando Botero.ย Pero antes, les recomendamos tener en cuenta que el blog es un espacio pรบblico donde, por supuesto, no se garantiza la confidencialidad.

Por favor, รบnase a nosotros en nuestra prรณxima sesiรณn en espaรฑol: Elย sรกbado 21 de octubre a las 13 hrs. o a la 1 pm EDT. Tambiรฉn, ofrecemos sesiones en inglรฉs. Ve aย nuestra pรกgina deย sesiones grupales virtuales en vivo.

ยกEsperamos verte pronto!


โ€œLos Mรบsicosโ€, de Fernando Botero


Live Virtual Group Session: 12PM EDT September 15th 2023

Thank you to everyone who joined us for this session!

For this session we took a close look at the painting Self-portrait on the Border Line Between Mexico and the United States, 1932” by Frida Kahlo, posted below.

Our prompt was:ย โ€œWrite about inhabiting two worlds.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Monday September 18th at 6pm EDT, with more times listed on our Live Virtual Group Sessions.


Self-portrait on the Border Line Between Mexico and the United States, 1932” by Frida Kahlo

ยฉ Banco de Mรฉxico Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York


Live Virtual Group Session: 6PM EDT September 11th 2023

Thank you to everyone who joined us for this session!

For this session we read an excerpt “Knoxville: Summer 1915ย ” from A Death in the Family by James Agee, posted below.

Our prompt was: โ€œWrite about what enchants your ears.โ€

More details will be posted on this session, so check back again!

Participants are warmly encouraged to share what you wrote below (โ€œLeave a Replyโ€), to keep the conversation going here, bearing in mind that the blog of course is a public space where confidentiality is not assured.

Also, we would love to learn more about your experience of these sessions, so if youโ€™re able, please take the time to fill out a follow-up survey of one to two quick questions!

Please join us for our next session Friday September 15th at 12pm EDT, with more times listed on our Live Virtual Group Sessions.


“Knoxville: Summer 1915ย ” from A Death in the Family by James Agee

Now is the night one blue dew, my father has drained, he has coiled the hose. 

Low on the length of lawns, a frailing of fire who breathes. 

Content, silver, like peeps of light, each cricket makes his comment 

  over and over in the drowned grass. 

A cold toad thumpily flounders. 

Within the edges of damp shadows of side yards are hovering children 

  nearly sick with joy of fear, who watch the unguarding of a telephone pole. 

Around white carbon corner lamps bugs of all sizes are lifted elliptic, 

  solar systems. Big hardshells bruise themselves, assailant: he is fallen on his back, legs squiggling. 

Parents on porches: rock and rock: From damp strings morning glories: 

  hang their ancient faces. 

The dry and exalted noise of the locusts from all the air at once enchants my eardrums.